jokes; for they are
taught never to talk at random, nor to utter a syllable that does not
contain some thought. As, when one of them was invited to hear a man
imitate the nightingale, he answered, "I have heard the original;" and
the man who read this epigram--
"These men, to quench a tyrant's pride,
Before Selinus fought and died."
"These men," said he, "deserved to die; for, instead of quenching it,
they should have let it burn itself out." When a young man was promised
a present of cocks that would fight till they died, he said, "I had
rather have some that will fight and kill their foes." This was the
style of their talk; so that some have well said that philosophy is more
truly Laconian than gymnastic exercises.
XX.--Their education in poetry and music was no less carefully watched
over than their cleverness and purity of speech, but their songs were
such as rouse men's blood and stir them to deeds of prowess, written in
plain unaffected language, upon noble and edifying subjects. For the
most part they consisted of panegyrics upon those who had been happy
enough to die for their country, reproaches of cowards for living a
miserable life, and encouragement to bravery suitable to those of all
ages. A good instance of this is that on festivals when there are three
choruses, that of the old men first sang--
"We once were lusty youths and tall."
Then that of the young men sang--
"We still are stout; come, try a fall,"
and the third, that of the children, rejoined--
"But we'll be stronger than you all."
Indeed, if one pays any attention to such Laconian poetry as is still
extant, and to the march music which was played on the flutes when they
were going to meet their enemies, it becomes clear that Terpander and
Pindar were right in connecting poetry with bravery. The former speaks
thus of the Lacedaemonians:
"Where the youths are bold with the spear,
And the voice of the muse is clear,
And justice to all is dear."
And Pindar says of them--
"Where the old are wise in council,
And the young are brave in fight;
Where song and dance are honoured
On many a festal night."
For they represent them as being most warlike and at the same time most
poetical.
"The sword with song full well combines,"
as the Laconian poet says. Even in their battles the king first
sacrificed to the Muses, to remind them, it would appear, of their
education
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