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. Even on the stage new and more natural traditions are beginning to prevail in Europe. It is not many years since an English actress regarded as a calumny the statement that she appeared on the stage bare-foot, and brought an action for libel, winning substantial damages. Such a result would scarcely be possible to-day. The movement in which Isadora Duncan was a pioneer has led to a partial disuse among dancers of the offensive device of tights, and it is no longer considered indecorous to show many parts of the body which it was formerly usual to cover. It should, however, be added at the same time that, while dancers, in so far as they are genuine artists, are entitled to determine the conditions most favorable to their art, nothing whatever is gained for the cause of a wholesome culture of nakedness by the "living statues" and "living pictures" which have obtained an international vogue during recent years. These may be legitimate as variety performances, but they have nothing whatever to do with either Nature or art. Dr. Pudor, writing as one of the earliest apostles of the culture of nakedness, has energetically protested against these performances (_Sexual-Probleme_, Dec., 1908, p. 828). He rightly points out that nakedness, to be wholesome, requires the open air, the meadows, the sunlight, and that nakedness at night, in a music hall, by artificial light, in the presence of spectators who are themselves clothed, has no element of morality about it. Attempts have here and there been quietly made to cultivate a certain amount of mutual nakedness as between the sexes on remote country excursions. It is significant to find a record of such an experiment in Ungewitter's _Die Nacktheit_. In this case a party of people, men and women, would regularly every Sunday seek remote spots in woods or meadows where they would settle down, picnic, and enjoy games. "They made themselves as comfortable as possible, the men laying aside their coats, waistcoats, boots and socks; the women their blouses, skirts, shoes and stockings. Gradually, as the moral conception of nakedness developed in their minds, more and more clothing fell away, until the men wore nothing but bathing-drawers and the women only their chemises. In this 'costume' games were carried out in common, and a regular
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