fitting the
stars without alteration, and such works, in most cases, are quite out
of balance and proportion, and, moreover, put a burden upon the stars
that they are quite unable to bear, or we to endure.
It was bad enough when there were only two or three stars, but now the
managers have starred a whole shoal of mediocre players and sacrificed
plays and dramatist to them. That there seems to be a dearth of good
plays is in part because of the fact that some good ones are ruined by
changes made in them, whilst others are refused because they do not
contain star parts, and the authors cannot or will not convert them into
star plays.
The stars, created by the managers and industriously boomed by their
press agents, by the newspapers and by the postcard merchants, have
become Frankensteins to their creators. They demand and get extravagant
salaries. Yet experience shows that few really draw people to the
theatre.
When the manager makes his calculation he can only put a limited sum to
the salary list, and since he starts with one or two star salaries there
is an insufficient amount left for the rest of the company--that is to
say, instead of having the other characters represented by players who
would be chosen for them if money were no object, they have to be taken
by the cheapest performers who can possibly be deemed competent.
The position of the unstarred actor is peculiarly precarious, for he is
often passed over, although the salary expected by him is not very
large, in favour of somebody cheaper and less competent. Some casts
remind one of the women who think themselves well dressed merely
because they have a new hat. They begin with one or two good
players--when the stars happen to be good players--and immediately drop
below mediocrity.
CHAPTER IX
STAGE DANCING
The Skirts of the Drama
A case lately came on for trial in Paris relating to a quarrel that
arose a long time ago. Incidentally, it may be observed that "the law's
delay" is even greater in France than over here, where, indeed, until
the most august regions of the courts are reached procedure is
comparatively rapid, and on the Chancery side cases are tried as hats
are ironed, "while you wait." The question in Paris raises one of
importance, but in itself is mere matter for merriment.
Mademoiselle Sarcy sued her manager because he tried to make her depart
from traditions; and, although she is a prima ballerina, required her to
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