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fitting the stars without alteration, and such works, in most cases, are quite out of balance and proportion, and, moreover, put a burden upon the stars that they are quite unable to bear, or we to endure. It was bad enough when there were only two or three stars, but now the managers have starred a whole shoal of mediocre players and sacrificed plays and dramatist to them. That there seems to be a dearth of good plays is in part because of the fact that some good ones are ruined by changes made in them, whilst others are refused because they do not contain star parts, and the authors cannot or will not convert them into star plays. The stars, created by the managers and industriously boomed by their press agents, by the newspapers and by the postcard merchants, have become Frankensteins to their creators. They demand and get extravagant salaries. Yet experience shows that few really draw people to the theatre. When the manager makes his calculation he can only put a limited sum to the salary list, and since he starts with one or two star salaries there is an insufficient amount left for the rest of the company--that is to say, instead of having the other characters represented by players who would be chosen for them if money were no object, they have to be taken by the cheapest performers who can possibly be deemed competent. The position of the unstarred actor is peculiarly precarious, for he is often passed over, although the salary expected by him is not very large, in favour of somebody cheaper and less competent. Some casts remind one of the women who think themselves well dressed merely because they have a new hat. They begin with one or two good players--when the stars happen to be good players--and immediately drop below mediocrity. CHAPTER IX STAGE DANCING The Skirts of the Drama A case lately came on for trial in Paris relating to a quarrel that arose a long time ago. Incidentally, it may be observed that "the law's delay" is even greater in France than over here, where, indeed, until the most august regions of the courts are reached procedure is comparatively rapid, and on the Chancery side cases are tried as hats are ironed, "while you wait." The question in Paris raises one of importance, but in itself is mere matter for merriment. Mademoiselle Sarcy sued her manager because he tried to make her depart from traditions; and, although she is a prima ballerina, required her to w
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