FREE BOOKS

Author's List




PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   >>  
l to his sense of fun; and, if he is in a sentimental vein, whatever love-making there may be in the piece has no subtlety to exasperate him. Despite these things, let us hope that the West End managers will be hostile to the smoking; for, after all, far too much of our drama at present is intended to please the comfortable Philistine and his appropriate womenfolk; and the people keenly interested in drama as a branch of art are prepared even to sacrifice a pipe or a cigar in the pursuit of their peculiar and hardly popular pleasure. Moreover, it is likely the theatres would exhibit the snobbishness of the fashionable halls and restaurants and taboo the pipe which every wise man prefers to the cigar or cigarette for serious smoking. Conduct of the Audience When Mr Joseph Holbrooke was conducting the overture to _Pierrot and Pierrette_ at His Majesty's Theatre he interrupted the orchestra in order to request some members of the audience to stop talking. These speakers were people in the stalls, and the composer-conductor could hear that their conversation was about shopping--not Chopin, which, alas! is sometimes pronounced as if the name rhymed with "popping." No one can feel surprised that a composer finds it impossible to do his work adequately as conductor when there is audible conversation among members of the audience. Mr Holbrooke drew attention to what happens very often in our playhouses: people come apparently entertaining the idea that if they have paid for their seats they owe no duty towards their neighbours or the author, composer or players. This idea, unfortunately, is not confined to those who have paid for their seats, since some of the dramatic critics, and also several of the ordinary "deadheads," set a bad example. The most noisome offenders are those who come late on purpose, because they are anxious to draw public attention to their existence. They, of course, are snobs of the worst water, whatever their social status or the cost of their clothes, furs and jewellery; you see them bustling in a quarter of an hour after the curtain has risen, shoving their way along past people who rise reluctantly, and hear them chattering whilst they take off cloaks and wraps before settling down in their seats. Very little less detestable are those who, arriving late unwillingly, behave otherwise in the same fashion. One of these brawlers defended herself by alleging that there ought to be a gangway dow
PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   >>  



Top keywords:
people
 

composer

 

Holbrooke

 

attention

 

members

 

audience

 

conductor

 

conversation

 

smoking

 
deadheads

ordinary

 

existence

 

anxious

 

purpose

 

offenders

 

public

 

noisome

 
critics
 
entertaining
 
making

apparently

 

playhouses

 

sentimental

 

confined

 

players

 

neighbours

 

author

 

dramatic

 
detestable
 

arriving


unwillingly
 
cloaks
 

settling

 
behave
 
alleging
 
gangway
 

defended

 

fashion

 
brawlers
 
jewellery

bustling
 

clothes

 

social

 
status
 
quarter
 

reluctantly

 

chattering

 

whilst

 

curtain

 

shoving