h a riderless horse crossing a stream (No. 867 in Venetian Exhibition
at New Gallery). The well-known _St. Jerome_ here given (British Museum)
is ascribed by no less an authority than Giovanni Morelli to the master,
but the poor quality of the little round trees, and of the background
generally, is calculated to give pause to the student. A good example of
the later style, in which the technique is more that of the painter and
less that of the draughtsman, is the so-called _Landscape with the
Pedlar_ at Chatsworth. But, faded though it is, the finest extant
drawing of the later period is that here (p. 78) for the first time
reproduced by the kind permission of the owner, Professor Legros, who
had the great good fortune and good taste to discover it in a London
book-shop. There can be no doubt that this ought to be in the Print Room
at the British Museum. A good instance, on the other hand, of a drawing
which cannot without demur be left to Titian, though it is a good deal
too late in style for Domenico Campagnola, and moreover, much too fine
and sincere for that clever, facile adapter of other people's work, is
the beautiful pastoral in the Albertina at Vienna (B. 283), with the
shepherd piping as he leads his flock homewards.] INDEX

"Agony in the Garden, The" (Escorial), 94
Alfonso d'Avalos, Marques del Vasto (Madrid), 46
Alfonso d'Avalos, with his Family, Portrait of (Louvre), 17, 18
"Alfonso d'Este" (Madrid), 16, 54
"Annunciation, The" (Venice), 98
"Annunciation of the Virgin" (Verona), 56
Aretino, Portrait of (Pitti Gallery), 9, 46, 57, 58
Acquaviva, Duke of Arti, Portrait of, 74

"Bacchanals, The" (Madrid), 8, 87, 92
"Bacchus and Ariadne" (National Gallery), 8, 29, 87
"Battle of Cadore, The," 38, 39
Beccadelli, Legate, Portrait of (Uffizi), 75, 76
"Bella, La" (Pitti), 32
"Boy Baptist," 15

"Cain and Abel" (Venice), 50, 51
Charles V., Portrait of (Munich), 70
"Charles V. at Muehlberg" (Madrid), 8, 68-70
"Christ crowned with Thorns" (Louvre), 84
"Christ crowned with Thorns" (Munich), 104
"Christ with the Pilgrims at Emmaus" (Louvre), 57
Cornaro Family (Duke of Northumberland's Collection), 88
Cornaro, Portrait of (Castle Howard), 54
"Cornelia, La," Portrait of, 12

"Danae and the Golden Rain" (Naples Museum), 62, 66
"Danae with Venus and Adonis" (Madrid), 78-80
"David victorious over Goliath" (Venice),50, 51
"Deliverance of Andromeda, The," 95
"Descent of the Holy Spirit, The" (Venice), 50, 51
"De