FREE BOOKS

Author's List




PREV.   NEXT  
|<   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   >>  
of Urbino_ and the later _Venus_, its companion, in the Tribuna. The two Bonifazi of Verona followed Palma, giving, however, to the loveliness of their women not, indeed, a more exalted character, but a less pronounced sensuousness--an added refinement but a weaker personality. Paris Bordone took the note from Titian, but being less a great artist than a fine painter, descended a step lower in the scale. Paolo Veronese unaffectedly joys in the beauty of woman, in the sheen of fair flesh, without any under-current of deeper meaning. Tintoretto, though like his brother Venetians he delights in the rendering of the human form unveiled, is but little disquieted by the fascinating problem which now occupies us. He is by nature strangely spiritual, though he is far from indulging in any false idealisation, though he shrinks not at all from the statement of the truth as it presents itself to him. Let his famous pictures in the Anticollegio of the Doges' Palace, his _Muses_ at Hampton Court, and above all that unique painted poem, _The Rescue_, in the Dresden Gallery, serve to support this view of his art.] [Footnote 20: Crowe and Cavalcaselle, _Life of Titian_, vol. i. p. 420.] [Footnote 21: Two of these have survived in the _Roman Emperor on Horseback_, No. 257, and the similarly named picture, No. 290, at Hampton Court Palace. These panels were among the Mantua pieces purchased for Charles I. by Daniel Nys from Duke Vincenzo in 1628-29. If the Hampton Court pieces are indeed, as there appears no valid reason to doubt, two of the canvases mentioned by Vasari, we must assume that though they bore Giulio's name as _chef d'atelier_, he did little work on them himself. In the Mantuan catalogue contained in d'Arco's _Notizie_ they were entered thus:--"Dieci altri quadri, dipintovi un imperatore per quadro a cavallo--opera di mano di Giulio Romano" (see _The Royal Gallery of Hampton Court_, by Ernest Law, 1898).] [Footnote 22: The late Charles Yriarte in a recent article, "Sabionneta la petite Athenes," published in the _Gazette des Beaux Arts_, March 1898, states that Bernardino Campi of Cremona, Giulio's subordinate at the moment, painted the Twelfth _Caesar_, but adduces no evidence in support of this departure from the usual assumption.] [Footnote 23: See "The Picture Gallery of Charles I.," _The Portfolio_, October 1897, pp. 98, 99.] [Footnote 24: Nos. 529-540--Catalogue of 1891--Provincial Museum of Hanover. The dim
PREV.   NEXT  
|<   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   >>  



Top keywords:
Footnote
 

Hampton

 

Giulio

 
Charles
 
Gallery
 
Titian
 

support

 

Palace

 

painted

 

pieces


panels
 
Museum
 

atelier

 

Mantuan

 

catalogue

 

contained

 

assume

 

appears

 

Daniel

 

Vincenzo


reason
 

purchased

 

Vasari

 
mentioned
 

Hanover

 
Notizie
 
canvases
 

Mantua

 

quadri

 

subordinate


Cremona

 

moment

 
Twelfth
 
adduces
 

Caesar

 
Bernardino
 

Gazette

 

states

 

evidence

 

departure


October

 

Portfolio

 
assumption
 

Picture

 
published
 
Athenes
 

quadro

 

picture

 
cavallo
 

imperatore