ating her
wholly above the earth, and placing her "in regions mild of calm and
serene air," with the crescent or the rainbow under her feet. This is
styled a "Madonna in Gloria." It is, in fact, a return to the antique
conception of the enthroned Redeemer, seated on a rainbow, sustained
by the "curled clouds," and encircled by a glory of cherubim. The
aureole of light, within which the glorified Madonna and her Child
when in a standing position are often placed, is of an oblong form,
called from its shape the _mandorla_, "the almond;"[1] but in general
she is seated above in a sort of ethereal exaltation, while the
attendant saints stand on the earth below. This beautiful arrangement,
though often very sublimely treated, has not the simple austere
dignity of the throne of state, and when the Virgin and Child, as in
the works of the late Spanish and Flemish painters, are formed out of
earth's most coarse and commonplace materials, the aerial throne of
floating fantastic clouds suggests a disagreeable discord, a fear lest
the occupants of heaven should fall on the heads of their worshippers
below. Not so the Virgins of the old Italians; for they look so
divinely ethereal that they seem uplifted by their own spirituality:
not even the air-borne clouds are needed to sustain them. They have no
touch of earth or earth's material beyond the human form; their proper
place is the seventh heaven; and there they repose, a presence and a
power--a personification of infinite mercy sublimated by innocence and
purity; and thence they look down on their worshippers and attendants,
while these gaze upwards "with looks commercing with the skies."

[Footnote 1: Or the "Vescica Pisces," by Lord Lindsay and others.]

* * * * *

And now of these angelic and sainted accessories, however placed, we
must speak at length; for much of the sentiment and majesty of the
Madonna effigies depend on the proper treatment of the attendant
figures, and on the meaning they convey to the observer.

* * * * *

The Virgin is entitled, by authority of the Church, queen of angels,
of prophets, of apostles, of martyrs, of virgins, and of confessors;
and from among these her attendants are selected.

ANGELS were first admitted, waiting Immediately round her chair
of state. A signal instance is the group of the enthroned Madonna,
attended by the four archangels, as we find it in the very ancient