personages.]

In strong contrast with the graceful Italian conception, is the German
"Coronation," now in the Wallerstein collection. (Kensington Pal.)
It is supposed to have been painted for Philip the Good, Duke of
Burgundy, either by Hans Hemling, or a painter not inferior to him.
Here the Virgin is crowned by the Trinity. She kneels, with an air of
majestic humility, and hands meekly folded on her bosom, attired in
simple blue drapery, before a semicircular throne, on which are seated
the Father and the Son, between them, with outspread wings, touching
their mouths, the Holy Dove. The Father a venerable figure, wears the
triple tiara, and holds the sceptre; Christ, with an expression of
suffering, holds in his left hand a crystal cross; and they sustain
between them a crown which they are about to place on the head of the
Virgin. Their golden throne is adorned with gems, and over it is a
glory of seraphim, with hair, faces, and plumage, all of a glowing
red. The lower part of this picture and the compartments on each side
are filled with a vast assemblage of saints, and martyrs, and holy
confessors: conspicuous among them we find the saints most popular
in Flanders and Burgundy--St. Adrian, St. George, St. Sebastian, St.
Maurice, clad in coats of mail and crowned with laurel, with other
kingly and warlike personages; St. Philip, the patron of Philip the
Good; St. Andrew, in whose honour he instituted the order of the
Golden Fleece: and a figure in a blue mantle with a ducal crown, one
of the three kings of Cologne, is supposed to represent Duke Philip
himself. It is, impossible by any description to do justice to this
wonderful picture, as remarkable for its elaborate workmanship, the
mysticism of the conception, the quaint elegance of the details,
and portrait-like reality of the faces, as that of Angelico for its
spiritual, tender, imaginative grace.

There is a "Coronation" by Vivarini (Acad. Venice), which may be
said to comprise in itself a whole system of theology. It is one
vast composition, not divided by compartments. In the centre is a
magnificent carved throne sustained by six pillars, which stand on
a lofty richly ornamented pedestal. On the throne are seated Christ
and the Virgin; he is crowned, and places with both hands a crown on
her head. Between them hovers the celestial Dove, and above them is
seen the Heavenly Father in likeness of "the Ancient of Days," who
paternally lays a hand on the should