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f acclimated, to have brought him back from his perilous adventure. [37] These cups hold at least a pint each, and every adult male is expected to empty four, if not six. Of course, they get beastly intoxicated, and suffer a day or two of illness afterwards, a very just punishment. [38] But I do not think it reaches the point of complaisance, noticed by Monsieur Chenier, when he was French Consul in 1767. He says, "The veneration of the Moors is so great for this Prince, that they deem themselves happy whenever one; of their daughters is admitted to share his couch." On the other hand, many of the beauties presented by the Sultan to his ministers, although brought out of his harems, are virgins. The poor ladies in the royal harems are only so much stock, from which their Lord and tyrant picks and chooses. [39] Friend Phillips is always wrestling with these prejudices of Barbary Jews. When his wife was delivered of a daughter, he was determined to have as much "fuss" made of the child as if it had been a son, to spite the prejudices of his brethren. So, when he went out for a walk with his wife, he would walk always arm-in-arm with her, although she was a Jewess of this country, which caused great annoyance to his woman-oppressing brethren. [Transcriber's Notes: In this electronic edition, footnotes have been numbered and relocated to the end of the work. In footnote 35, the spellings Nouna and Nunah both occur. In chapter 6, the word "convey" was corrected to "conveying."] End of Project Gutenberg's Travels in Morocco, Vol. 1., by James Richardson *** END OF THIS PROJECT GUTENBERG EBOOK TRAVELS IN MOROCCO, VOL. 1. *** ***** This file should be named 10355.txt or 10355.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/3/5/10355/ Produced by Carlo Traverso, Tom Allen and the Online Distributed Proofreading Team from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of thi
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