born 1769, at Sarre-Louis (now in Prussia), son of a cooper.
Entered the army as a private 1787, adjutant-general 1794, general
of brigade 1796, general of division 1799, marshal 1804, Duke of
Elchingen 1805, Prince of Moskwa 1812, and commanded the rear-guard
in the famous retreat from Russia. On the return from Elba he went
over to Napoleon; was at Waterloo. Was afterwards taken, and in
spite of the terms of the surrender of Paris was tried for treason,
and shot in the gardens of the Luxembourg, Dec. 8, 1815.--TRANS.]

and the other M. de Broc. All four were very young and charming, and few
theaters in Paris could show four actresses as pretty. In addition to
which, they showed much grace in their acting, and played their parts
with real talent; and were as natural on the stage as in the saloon,
where they bore themselves with exquisite grace and refinement. At first
the repertoire contained little variety, though the pieces were generally
well selected. The first representation which I attended was the "Barber
of Seville" in which Isabey played the role of Figaro, and Mademoiselle
Hortense that of Rosine--and the "Spiteful Lover." Another time I saw
played the "Unexpected Wager," and "False Consultations." Hortense and
Eugene played this last piece perfectly; and I still recall that, in the
role of Madame le Blanc, Hortense appeared prettier than ever in the
character of an old woman, Eugene representing Le Noir, and Lauriston the
charlatan. The First Consul, as I have said, confined himself to the
role of spectator; but he seemed to take in these fireside plays, so to
speak, the greatest pleasure, laughed and applauded heartily, though
sometimes he also criticised.

Madame Bonaparte was also highly entertained; and even if she could not
always boast of the successful acting of her children, "the chiefs of the
troupe," it sufficed her that it was an agreeable relaxation to her
husband, and seemed to give him pleasure; for her constant study was to
contribute to the happiness of the great man who had united her destiny
with his own.

When the day for the presentation of a play had been appointed, there was
never any postponement, but often a change of the play; not because of
the indisposition, or fit of the blues, of an actress (as often happens
in the theaters of Paris), but for more serious reasons. It sometimes
happened that M. d'Etieulette received orders to rejoin his regiment, or
an impor