e read so much in the old chronicles, are abundantly reflected in
the pages of Jonson, Shakespeare, and other writers.

The town was full of public-houses and pleasure-gardens, but, curiously
enough, the favorite place of public parading was the middle aisle of St.
Paul's Cathedral--"Paul's Walk," as it was called--which was daily
frequented by nobles, gentry, perfumed gallants, and ladies, from ten to
twelve and three to six o'clock, to talk on business, politics, or
pleasure. Hither came, to acquire the fashions, make assignations,
arrange for the night's gaming, or shun the bailiff, the gallant, the
gamester, the ladies whose dresses were better than their manners, the
stale knight, the captain out of service. Here Falstaff purchased
Bardolph. "I bought him," say's the knight, "at Paul's." The tailors went
there to get the fashions of dress, as the gallants did to display them,
one suit before dinner and another after. What a study was this varied,
mixed, flaunting life, this dance of pleasure and license before the very
altar of the church, for the writers of satire, comedy, and tragedy!

But it is not alone town life and court life and the society of the fine
folk that is reflected in the English drama and literature of the
seventeenth century, and here is another wide difference between it and
the French literature of the same period; rural England and the popular
life of the country had quite as much to do in giving tone and color to
the writings of the time. It is necessary to know rural England to enter
into the spirit of this literature, and to appreciate how thoroughly it
took hold of life in every phase. Shakespeare knew it well. He drew from
life the country gentleman, the squire, the parson, the pedantic
schoolmaster who was regarded as half conjurer, the yeoman or farmer, the
dairy maids, the sweet English girls, the country louts, shepherds,
boors, and fools. How he loved a fool! He had talked with all these
persons, and knew their speeches and humors. He had taken part in the
country festivals-May Day, Plow Monday, the Sheep Shearing, the Morris
Dances and Maud Marian, the Harvest Home and Twelfth Night. The rustic
merrymakings, the feasts in great halls, the games on the greensward, the
love of wonders and of marvelous tales, the regard for portents, the
naive superstitions of the time pass before us in his pages. Drake, in
his "Shakespeare and his Times," gives a graphic and indeed charming
picture of