e human subject stands
to him. It is of course in the more naive cults that this suffusion
of pecuniary beauty is most patent, but it is visible throughout. All
peoples, at whatever stage of culture or degree of enlightenment, are
fain to eke out a sensibly scant degree of authentic formation regarding
the personality and habitual surroundings of their divinities. In so
calling in the aid of fancy to enrich and fill in their picture of the
divinity's presence and manner of life they habitually impute to him
such traits as go to make up their ideal of a worthy man. And in
seeking communion with the divinity the ways and means of approach are
assimilated as nearly as may be to the divine ideal that is in men's
minds at the time. It is felt that the divine presence is entered with
the best grace, and with the best effect, according to certain accepted
methods and with the accompaniment of certain material circumstances
which in popular apprehension are peculiarly consonant with the divine
nature. This popularly accepted ideal of the bearing and paraphernalia
adequate to such occasions of communion is, of course, to a good extent
shaped by the popular apprehension of what is intrinsically worthy
and beautiful in human carriage and surroundings on all occasions of
dignified intercourse. It would on this account be misleading to
attempt an analysis of devout demeanor by referring all evidences of
the presence of a pecuniary standard of reputability back directly and
baldly to the underlying norm of pecuniary emulation. So it would also
be misleading to ascribe to the divinity, as popularly conceived, a
jealous regard for his pecuniary standing and a habit of avoiding and
condemning squalid situations and surroundings simply because they are
under grade in the pecuniary respect.
And still, after all allowance has been made, it appears that the canons
of pecuniary reputability do, directly or indirectly, materially affect
our notions of the attributes of divinity, as well as our notions
of what are the fit and adequate manner and circumstances of divine
communion. It is felt that the divinity must be of a peculiarly serene
and leisurely habit of life. And whenever his local habitation is
pictured in poetic imagery, for edification or in appeal to the devout
fancy, the devout word-painter, as a matter of course, brings out before
his auditors' imagination a throne with a profusion of the insignia of
opulence and power, and surr
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