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e human subject stands to him. It is of course in the more naive cults that this suffusion of pecuniary beauty is most patent, but it is visible throughout. All peoples, at whatever stage of culture or degree of enlightenment, are fain to eke out a sensibly scant degree of authentic formation regarding the personality and habitual surroundings of their divinities. In so calling in the aid of fancy to enrich and fill in their picture of the divinity's presence and manner of life they habitually impute to him such traits as go to make up their ideal of a worthy man. And in seeking communion with the divinity the ways and means of approach are assimilated as nearly as may be to the divine ideal that is in men's minds at the time. It is felt that the divine presence is entered with the best grace, and with the best effect, according to certain accepted methods and with the accompaniment of certain material circumstances which in popular apprehension are peculiarly consonant with the divine nature. This popularly accepted ideal of the bearing and paraphernalia adequate to such occasions of communion is, of course, to a good extent shaped by the popular apprehension of what is intrinsically worthy and beautiful in human carriage and surroundings on all occasions of dignified intercourse. It would on this account be misleading to attempt an analysis of devout demeanor by referring all evidences of the presence of a pecuniary standard of reputability back directly and baldly to the underlying norm of pecuniary emulation. So it would also be misleading to ascribe to the divinity, as popularly conceived, a jealous regard for his pecuniary standing and a habit of avoiding and condemning squalid situations and surroundings simply because they are under grade in the pecuniary respect. And still, after all allowance has been made, it appears that the canons of pecuniary reputability do, directly or indirectly, materially affect our notions of the attributes of divinity, as well as our notions of what are the fit and adequate manner and circumstances of divine communion. It is felt that the divinity must be of a peculiarly serene and leisurely habit of life. And whenever his local habitation is pictured in poetic imagery, for edification or in appeal to the devout fancy, the devout word-painter, as a matter of course, brings out before his auditors' imagination a throne with a profusion of the insignia of opulence and power, and surr
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