g at his watch, announced that he must go.
He asked whether I would come too. I thought, alone, I might get
something out of Strickland, and so answered that I would stay.

When the fat man had left I said:

"Dirk Stroeve thinks you're a great artist."

"What the hell do you suppose I care?"

"Will you let me see your pictures?"

"Why should I?"

"I might feel inclined to buy one."

"I might not feel inclined to sell one."

"Are you making a good living?" I asked, smiling.

He chuckled.

"Do I look it?"

"You look half starved."

"I am half starved."

"Then come and let's have a bit of dinner."

"Why do you ask me?"

"Not out of charity," I answered coolly. "I don't really care
a twopenny damn if you starve or not."

His eyes lit up again.

"Come on, then," he said, getting up. "I'd like a decent meal."

Chapter XXI

I let him take me to a restaurant of his choice, but on the
way I bought a paper. When we had ordered our dinner,
I propped it against a bottle of St. Galmier and began to read.
We ate in silence. I felt him looking at me now and again,
but I took no notice. I meant to force him to conversation.

"Is there anything in the paper?" he said, as we approached
the end of our silent meal.

I fancied there was in his tone a slight note of exasperation.

"I always like to read the <i feuilleton> on the drama," I said.

I folded the paper and put it down beside me.

"I've enjoyed my dinner," he remarked.

"I think we might have our coffee here, don't you?"

"Yes."

We lit our cigars. I smoked in silence. I noticed that now
and then his eyes rested on me with a faint smile of amusement.
I waited patiently.

"What have you been up to since I saw you last?" he asked at
length.

I had not very much to say. It was a record of hard work and of
little adventure; of experiments in this direction and in that;
of the gradual acquisition of the knowledge of books and of men.
I took care to ask Strickland nothing about his own doings.
I showed not the least interest in him, and at last I
was rewarded. He began to talk of himself. But with his poor
gift of expression he gave but indications of what he had gone
through, and I had to fill up the gaps with my own imagination.
It was tantalising to get no more than hints
into a character that interested me so much. It was like
making one's way through a mutilated manuscript. I received
the impression of a life which was