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; that all artistic creation should be of a high ideological level and be permeated by both the Party's militant revolutionary spirit and a healthy national spirit." Such demands have been made of authors, artists, and musicians since the inception of the Albanian People's Republic. Since 1966, however, when the Cultural Revolution was initiated, the importance of culture has received greater emphasis and the demands for ideological purity of all creative works have increased. The Cultural Revolution was still in motion as of the early months of 1970. The dominant themes of Albanian culture under communism have concerned the history of Albania, the struggle of the Communist-led partisans during the War of National Liberation, and the transformation of the backward, superstitious society into one that is modern and governed by progressive, socialist principles. In the mid-1960s, however, the Party called upon writers and artists to go beyond these themes and to portray the contemporary struggles for the creation of socialism. Party guidance stipulates that it is not enough to describe the past struggles and achievements. The ongoing hardships faced by the peasants and workers must be reflected in artistic works. The heroes are to be workers, peasants, and engineers, as well as the partisans. Throughout the period of the Cultural Revolution, artists and writers have been going to the mountain villages, industrial centers, and agricultural cooperatives to live for varying lengths of time. Living and working with the people provides the writers and artists with insights into the life and problems that the various types of people must face. These experiences are designed to help them create themes that reflect the contemporary developments more accurately and to make cultural works more relevant to the masses. Given the influential role of culture in society, it was imperative that the Party establish strict control over all creative activities. Authors, dramatists, musicians, and artists must belong to the Union of Artists and Writers. This organization is nominally independent of the Party, but in reality it is firmly under Party control. Another source of control is the Ministry of Education and Culture, which has close ties with the Directorate of Education and Culture under the Politburo of the Party. Furthermore, all individuals involved in cultural pursuits are dependent upon the state for their income as well
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