; that all artistic creation should be of a high ideological level
and be permeated by both the Party's militant revolutionary spirit and a
healthy national spirit."
Such demands have been made of authors, artists, and musicians since the
inception of the Albanian People's Republic. Since 1966, however, when
the Cultural Revolution was initiated, the importance of culture has
received greater emphasis and the demands for ideological purity of all
creative works have increased. The Cultural Revolution was still in
motion as of the early months of 1970.
The dominant themes of Albanian culture under communism have concerned
the history of Albania, the struggle of the Communist-led partisans
during the War of National Liberation, and the transformation of the
backward, superstitious society into one that is modern and governed by
progressive, socialist principles. In the mid-1960s, however, the Party
called upon writers and artists to go beyond these themes and to portray
the contemporary struggles for the creation of socialism. Party guidance
stipulates that it is not enough to describe the past struggles and
achievements. The ongoing hardships faced by the peasants and workers
must be reflected in artistic works. The heroes are to be workers,
peasants, and engineers, as well as the partisans.
Throughout the period of the Cultural Revolution, artists and writers
have been going to the mountain villages, industrial centers, and
agricultural cooperatives to live for varying lengths of time. Living
and working with the people provides the writers and artists with
insights into the life and problems that the various types of people
must face. These experiences are designed to help them create themes
that reflect the contemporary developments more accurately and to make
cultural works more relevant to the masses.
Given the influential role of culture in society, it was imperative that
the Party establish strict control over all creative activities.
Authors, dramatists, musicians, and artists must belong to the Union of
Artists and Writers. This organization is nominally independent of the
Party, but in reality it is firmly under Party control. Another source
of control is the Ministry of Education and Culture, which has close
ties with the Directorate of Education and Culture under the Politburo
of the Party. Furthermore, all individuals involved in cultural pursuits
are dependent upon the state for their income as well
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