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65 III. SIR SAMUEL GARTH--AMBROSE PHILIPS--JOHN PHILIPS--NICHOLAS ROWE--AARON HILL--THOMAS PARNELL--THOMAS TICKELL--WILLIAM SOMERVILLE--JOHN DYER--WILLIAM SHENSTONE--MARK AKENSIDE--DAVID MALLET--SCOTTISH SONG-WRITERS 96 PART II. THE PROSE WRITERS. IV. JOSEPH ADDISON--SIR RICHARD STEELE 125 V. JONATHAN SWIFT--JOHN ARBUTHNOT 151 VI. DANIEL DEFOE--JOHN DENNIS--COLLEY CIBBER--LADY MARY WORTLEY MONTAGU--EARL OF CHESTERFIELD--LORD LYTTELTON--JOSEPH SPENCE 180 VII. FRANCIS ATTERBURY--LORD SHAFTESBURY--BERNARD DE MANDEVILLE--LORD BOLINGBROKE--GEORGE BERKELEY--WILLIAM LAW--JOSEPH BUTLER--WILLIAM WARBURTON 207 INDEX OF MINOR POETS AND PROSE WRITERS 242 CHRONOLOGICAL TABLE 249 ALPHABETICAL LIST OF WRITERS 253 INDEX 255 THE AGE OF POPE. INTRODUCTION. I. The death of John Dryden, on the first of May, 1700, closed a period of no small significance in the history of English literature. His faults were many, both as a man and as a poet, but he belongs to the race of the giants, and the impress of greatness is stamped upon his works. No student of Dryden can fail to mark the force and sweep of an intellect impatient of restraint. His 'long-resounding march' reminds us of a turbulent river that overflows its banks, and if order and perfection of art are sometimes wanting in his verse, there is never the lack of power. Unfortunately many of the best years of his life were devoted to a craft in which he was working against the grain. His dramas, with one or two noble exceptions, are comparative failures, and in them he too often 'Profaned the God-given strength, and marred the lofty line.' In two prominent respects his influence on his successors is of no slight significance. As a satirist Pope acknowledged the master he was unable to excel, and so did many of the eighteenth century versemen, who appear to have looked upon satire as the beginning and the end of poetry. Moreover Dryden may be regarded, without much exaggeration, as the father of modern prose. Nothing can be more lucid than his style, which is at once bri
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