umes in
octavo were published simultaneously.

For the third and fourth editions the author revised the text of the
novel, rewrote his own Preface and Postscript, substantially expanding
the latter, and dropped the Preface written by Warburton. The additions
to the Postscript, like the letters and passages 'restored' to the novel
itself, are distinguished in the new editions by points in the margin.

The revised Preface and Postscript, which in the following pages are
reproduced from the fourth edition, constitute the most extensive and
fully elaborated statement of a theory of fiction ever published by
Richardson. The Preface and concluding Note to _Sir Charles Grandison_
are, by comparison, brief and restricted in their application; while the
introductory material in _Pamela_ is, so far as critical theory is
concerned, slight and incoherent.

The _Hints of Prefaces for Clarissa_, a transcript of which is also
included in this publication, is an equally important and in some ways
an even more interesting document. It appears to have been put together
by Richardson while he was revising the Preface and Postscript to the
first edition. Certain sections of it are preliminary drafts of some of
the new material incorporated in the revised Postscript. Large portions
of _Hints of Prefaces_, however, were not used then and have never
previously appeared in print. Among these are two critical assessments
of the novel by Philip Skelton and Joseph Spence; and a number of
observations--some merely jottings--by Richardson himself on the
structure of the novel and the virtues of the epistolary style. The
statements of Skelton and Spence are unusual amongst contemporary
discussions of _Clarissa_ for their brevity, lucidity, and sustained
critical relevance. Richardson's own comments, though disorganized and
fragmentary, show that he was attempting to develop a theory of the
epistolary novel as essentially dramatic, psychologically realistic, and
inherently superior to 'the dry Narrative',[2] particularly as
exemplified in the novels of Henry Fielding.

It is impossible to determine how much of _Hints of Prefaces_ or of the
published Preface and Postscript is Richardson's own work. All were to
some extent the result of collaborative effort, and Richardson did not
always distinguish clearly between what he had written and what had been
supplied by other people.[3] The concluding paragraph of the Postscript,
for example, appears in