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isgusted in my life. When I grow up and anybody proposes to me he will have to be a good deal more flowery and eloquent than that, I can tell you, if he wants me to listen to him. I left Jacky peeking still and I went to bed. After a long time Aunt Tommy came up to my room and sat down on my bed in the moonlight. "You dear blessed Elizabeth!" she said. "It's all right then, is it?" I asked. "Yes, it is all right, thanks to you, dearie. We are to be married in October and somebody must be my little flower girl." "I think Dick will make a splendid husband," I said. "But Aunt Tommy, you mustn't be too hard on Jacky. He only wanted to help things along, and it was I who put him up it in the first place." "You have atoned by going and confessing," said Aunt Tommy with a hug, "Jacky had no business to put that off on you. I'll forgive him, of course, but I'll punish him by not letting him know that I will for a little while. Then I'll ask him to be a page at my wedding." Well, the wedding came off last week. It was a perfectly gorgeous affair. Aunt Tommy's dress was a dream--and so was mine, all pink silk and chiffon and carnations. Jacky made a magnificent page too, in a suit of white velvet. The wedding cake was four stories high, and Dick looked perfectly handsome. He kissed me too, right after he kissed Aunt Tommy. So everything turned out all right, and I believe Dick would never have dared to speak up if we hadn't helped things along. But Jacky and I have decided that we will never meddle in an affair of the kind again. It is too hard on the nerves. End of the Project Gutenberg EBook of Lucy Maud Montgomery Short Stories, 1905 to 1906, by Lucy Maud Montgomery *** END OF THIS PROJECT GUTENBERG EBOOK MONTGOMERY SHORT STORIES *** ***** This file should be named 24876.txt or 24876.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/8/7/24876/ Produced by Alicia Williams, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the Genera
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