The Project Gutenberg EBook of Ten Tales, by Francois Coppee
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Ten Tales
Author: Francois Coppee
Contributor: Brander Matthews
Illustrator: Albert E. Sterner
Translator: Warren Walter Learned
Release Date: January 15, 2007 [EBook #20380]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK TEN TALES ***
Produced by Barbara Tozier, Bill Tozier and the Online
Distributed Proofreading Team at http://www.pgdp.net
[Illustration: FRANCOIS COPPEE.]
FROM THE FRENCH
Ten Tales
By
Francois Coppee
_Translated by WALTER LEARNED, with fifty pen-and-ink drawings
by ALBERT E. STERNER, and an introduction by BRANDER MATTHEWS_
NEW YORK
HARPER & BROTHERS, FRANKLIN SQUARE
1891
Copyright, 1890, by HARPER & BROTHERS.
_All rights reserved._
CONTENTS.
THE CAPTAIN'S VICES
TWO CLOWNS
A VOLUNTARY DEATH
A DRAMATIC FUNERAL
THE SUBSTITUTE
AT TABLE
AN ACCIDENT
THE SABOTS OF LITTLE WOLFF
THE FOSTER SISTER
MY FRIEND MEURTRIER
INTRODUCTION.
The _conte_ is a form of fiction in which the French have always
delighted and in which they have always excelled, from the days of the
_jongleurs_ and the _trouveres_, past the periods of La Fontaine and
Voltaire, down to the present. The _conte_ is a tale, something more
than a sketch, it may be, and something less than a short story. In
verse it is at times but a mere rhymed anecdote, or it may attain almost
to the direct swiftness of a ballad. The _Canterbury Tales_ are
_contes_, most of them, if not all; and so are some of the _Tales of a
Wayside Inn_. The free-and-easy tales of Prior were written in imitation
of the French _conte en vers_; and that, likewise, was the model of more
than one of the lively narrative poems of Mr. Austin Dobson.
No one has succeeded more abundantly in the _conte en vers_ than M.
Coppee. Where was there ever anything better of its kind than _L'Enfant
de la Balle?_--that gentle portrait of the Infant Phenomenon, framed in
a chain of occasional gibes at the sordid ways of theatrical managers
and at their hostility towards poetic plays. Where is there anything of
|