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The Project Gutenberg EBook of Ten Tales, by Francois Coppee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ten Tales Author: Francois Coppee Contributor: Brander Matthews Illustrator: Albert E. Sterner Translator: Warren Walter Learned Release Date: January 15, 2007 [EBook #20380] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK TEN TALES *** Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: FRANCOIS COPPEE.] FROM THE FRENCH Ten Tales By Francois Coppee _Translated by WALTER LEARNED, with fifty pen-and-ink drawings by ALBERT E. STERNER, and an introduction by BRANDER MATTHEWS_ NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1891 Copyright, 1890, by HARPER & BROTHERS. _All rights reserved._ CONTENTS. THE CAPTAIN'S VICES TWO CLOWNS A VOLUNTARY DEATH A DRAMATIC FUNERAL THE SUBSTITUTE AT TABLE AN ACCIDENT THE SABOTS OF LITTLE WOLFF THE FOSTER SISTER MY FRIEND MEURTRIER INTRODUCTION. The _conte_ is a form of fiction in which the French have always delighted and in which they have always excelled, from the days of the _jongleurs_ and the _trouveres_, past the periods of La Fontaine and Voltaire, down to the present. The _conte_ is a tale, something more than a sketch, it may be, and something less than a short story. In verse it is at times but a mere rhymed anecdote, or it may attain almost to the direct swiftness of a ballad. The _Canterbury Tales_ are _contes_, most of them, if not all; and so are some of the _Tales of a Wayside Inn_. The free-and-easy tales of Prior were written in imitation of the French _conte en vers_; and that, likewise, was the model of more than one of the lively narrative poems of Mr. Austin Dobson. No one has succeeded more abundantly in the _conte en vers_ than M. Coppee. Where was there ever anything better of its kind than _L'Enfant de la Balle?_--that gentle portrait of the Infant Phenomenon, framed in a chain of occasional gibes at the sordid ways of theatrical managers and at their hostility towards poetic plays. Where is there anything of
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