FREE BOOKS

Author's List




PREV.   NEXT  
|<   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33  
34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   >>   >|  
of the philosophers for ages. That the idea is the controlling, governing force is equally well understood. Therefore, inasmuch as the aim of all voice building is to produce beautiful tone we must start with the right idea of tone. This is where the first and greatest difficulty appears. To most people a tone is intangible and difficult to define. One will rarely find a student that can formulate anything approaching a definition of a musical tone and I fancy many teachers would find it far from easy. Unless one has a grasp of the psychology of voice, and a great many have not, he will begin to work with what he can see. Here enters the long dreary mechanical grind that eventually ruins the temper of both teacher and student, and results in nothing but mechanical singing, instead of a joyous, inspiring musical performance. In studying the pure singing tone we find the following: It is _smooth_, _steady_, _firm_, _rich_, _resonant_, _sympathetic_. We shall also find that all of its qualities and attributes are mental. It must contain the element of freedom (mental), firmness (mental), security (mental), sympathy (mental), enthusiasm, sentiment, joy, compassion, pity, love, sorrow (all mental). These are all qualities of the singing tone. They are not intangible. On the contrary, to the one who has them they are definite and are the things he works for from the beginning. They are basic and fundamental. All are combined in what I call _tone concept_, which is another word for musical ear, or musical taste. This tone concept is by far the most important thing in voice training. The student will not sing a tone better than the one he conceives mentally, therefore the mental concept of tone, or tone concept must be the basis of voice placing. This tone concept, or mental picture of tone qualities controls the vocal instrument by indirection. True tone color does not come as the result of trying by some physical process to make the tone light or dark, but _from the automatic response to musical concept or feeling_. In leaving this subject I wish to pay my respects to that company of cheerful sinners--the open throat propagandists. I was taught in my youth that the punishment for a sin committed ignorantly was none the less pungent and penetrating, and I trust that in administering justice to these offenders the powers will be prompt, punctilious and persevering. It is a worthy activity. No mistake of greater magnitud
PREV.   NEXT  
|<   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33  
34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   >>   >|  



Top keywords:

mental

 

concept

 

musical

 
singing
 

student

 

qualities

 

mechanical

 

intangible

 

picture

 
controls

placing

 

fundamental

 

indirection

 
instrument
 

combined

 

things

 

definite

 

beginning

 

important

 

training


mentally

 

conceives

 
penetrating
 

pungent

 

administering

 

justice

 

punishment

 
committed
 

ignorantly

 
offenders

mistake
 

greater

 
magnitud
 

activity

 
worthy
 

powers

 

prompt

 

punctilious

 

persevering

 

taught


automatic

 

response

 

feeling

 

process

 

result

 

physical

 

leaving

 

sinners

 
throat
 

propagandists