uld not the goal, at least,
Present to us a cheerful face?
Why that, which we in constant view,
Must, while we live, forever bear,
Sole comfort in our hour of need,
Thus dress in weeds of woe,
And gird with shadows so,
And make the friendly port to us appear
More frightful than the tempest drear?

If death, indeed, be a calamity,
Which thou intendest for us all,
Whom thou, against our knowledge and our will,
Hast forced to draw this mortal breath,
Then, surely, he who dies,
A lot more enviable hath
Then he who feels his loved one's death.
But, if the truth it be,
As I most firmly think,
That life is the calamity,
And death the boon, alas! who ever _could_,
What yet he _should_,
Desire the dying day of those so dear,
That he may linger here,
Of his best self deprived,
May see across his threshold borne,
The form beloved of her,
With whom so many years he lived,
And say to her farewell,
Without the hope of meeting here again;
And then alone on earth to dwell,
And, looking round, the hours and places all,
Of lost companionship recall?

Ah, Nature! how, how _couldst_ thou have the heart,
From the friend's arms the friend to tear,
The brother from the brother part,
The father from the child,
The lover from his love,
And, killing one, the other keep alive?
What dire necessity
Compels such misery
That lover should the loved one e'er survive?
But Nature in her cruel dealings still,
Pays little heed unto our good or ill.

ON THE PORTRAIT OF A BEAUTIFUL WOMAN,
CARVED ON HER MONUMENT.

Such _wast_ thou: now in earth below,
Dust and a skeleton thou art.
Above thy bones and clay,
Here vainly placed by loving hands,
Sole guardian of memory and woe,
The image of departed beauty stands.
Mute, motionless, it seems with pensive gaze
To watch the flight of the departing days.
That gentle look, that, wheresoe'er it fell,
As now it seems to fall,
Held fast the gazer with its magic spell;
That lip, from which as from some copious urn,
Redundant pleasure seems to overflow;
That neck, on which love once so fondly hung;
That loving hand, whose tender pressure still
The hand it clasped, with trembling joy would thrill;
That bosom, whose transparent loveliness
The color from the gazer's cheek would steal;
All these _have been_; and now remains alone
A wretched heap of bones and clay,