FREE BOOKS

Author's List




PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>  
the city. His lodging was above the workroom and shop of a recoverer of ancient coins and intaglios, skilful cleanser and mender of these and merchant to whom would buy. The man was artist besides, maker of strange drawings whom few ever understood or bought. Glenfernie liked him--an elderly, fine, thin, hook-nosed, dark-eyed, subtle-lipped, little-speaking personage. No great custom came to the shop in front; the owner of it might work all day in the room behind, with only two or three peals of a small silvery summoning bell. The lodger acquired the habit of sitting for perhaps an hour out of each twenty-four in this workroom. He might study at the window gem or coin and the finish of old designs, or he might lift and look at sheet after sheet of the man's drawings, or watch him at his work, or have with him some talk. The drawings had a fascination for him. "What did you mean behind this outward meaning? Now here I see this, and I see that, but here I don't penetrate." The man laid down his mending a broken Eros and came and stood by the table and spoke. Glenfernie listened, the wood propping elbow, the hand propping chin, the eyes upon the drawing. Or he leaned back in the great visitor's chair and looked instead at the draftsman. They were strange drawings, and the draftsman's models were not materially visible. To-day Glenfernie came from the noise of Rome without into this room. His host was sitting before a drawing-board. Alexander stood and looked. "Are you trying to bring the world of the plane up a dimension? Then you work from an idea above the world of the solid?" "_Si._ Up a dimension." "What are these forms?" "I am dreaming the new eye, the new ear, the new hand." Glenfernie watched the moving and the resting hand. Later in the day he returned to the room. "It has been a fertile season," said the artist. "Look!" At the top of a sheet of paper was written large in Latin, LOVE IS BLIND. Beneath stood a figure filled with eyes. "It is the same thing," said the man. The next day, at sunset, going up to his room after restless wandering in this city, he found there from Ian another intimation of the latter's movements: GLENFERNIE,--I am going northward. There will be a month spent at monseigneur's villa upon the Lake of Como. Then France again.--IAN RULLOCK. Alexander laid the paper upon the table before him, and now he stared at it, and now he gazed at space beyon
PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   >>  



Top keywords:

Glenfernie

 

drawings

 

sitting

 

dimension

 
draftsman
 
Alexander
 

drawing

 

strange

 

artist

 

looked


workroom

 
propping
 

dreaming

 

models

 
materially
 

visible

 
northward
 
GLENFERNIE
 
movements
 

intimation


monseigneur

 

stared

 
RULLOCK
 

France

 

wandering

 
season
 

written

 

fertile

 
resting
 
moving

returned
 

sunset

 
restless
 
filled
 

Beneath

 

figure

 

watched

 

custom

 
personage
 

speaking


subtle

 
lipped
 

lodger

 

acquired

 

summoning

 

silvery

 

cleanser

 

mender

 

merchant

 

skilful