with her hands on her hips, while her partner did a series of
cart-wheels around the room, bringing up just in front of her, and
waltzing with her again without either of them losing a step. Then he
lifted her hands by the finger tips high above her head, and they
writhed their bodies in and out under this arch, he occasionally
stooping to snatch a kiss, and all the time their feet waltzing in
perfect time to the music. Suddenly, with another yell, he leaped into
the air, and, with Rosa waltzing demurely in front of him, began the
fantastic part of the schuplattle, which consists, as Jimmie says, "of
making tambourines all over yourself, spanking yourself on the arms,
thighs, legs, and soles of your feet, and the crown of your head, and
winding up by boxing your partner's ears or kissing her, just as you
feel inclined."
I never saw anything like it. I never heard anything like it. It was so
exhilarating it aroused even the cowherd's enthusiasm, so that he came
and did a turn with Fraeulein Therese.
Then more of the peasants joined in the schuplattle, and in a moment the
kitchen was a mass of flying feet, waving arms, leaping, shouting men
and laughing girls, the dance growing wilder and wilder, until, with a
final yell that split the ears of the groundlings, the music stopped,
and the dancers sank breathless into their seats. The excitement was
contagious. One after another got up and danced singly, each attempting
to outdo the other.
The other guests, who had seen this before, by this time had finished
their coffee and left. Our little party remained. The Fraeulein Therese
came over to our table, saying that the "shipmaster" would like very
much to dance with me. I don't blush often, but I actually felt my whole
face blaze at the proposition. I protested that I couldn't, and
wouldn't; that I should die of fright if he yelled in my ear, and that
he would split my sleeves out if he tried "London bridge" with me. She
urged, and Jimmie urged, and Bee and Mrs. Jimmie joined. So finally I
did, the Fraeulein having warned him that I would simply consent to
waltz, with nothing else. They never reverse, the music was fast and
furious, and the room was as hot as a desert at midday. After I had gone
around that room twice with the "shipmaster," he whirled me to my seat,
and for fully five minutes the room, the musicians, and the tables
continued the waltz that I had left off. It makes me dizzy to think of
it even now.
Wh
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