e
to the Kwabgah, is a square detached building, a fine example of the
dignified style of the period, for it owes none of its effects to
imposing dimensions, but only to the skill with which the architect
has treated a difficult subject. This is the Diwan-i-Khas, or Hall of
Private Audience. On the outside it would appear to be a two-storied
building, but on entering it is seen to contain only a single vaulted
chamber, surrounded halfway up by a gallery. A magnificent carved
column, with a gigantic bracket capital (Plate XI.), standing alone in
the centre of the chamber, supports four branches or railed passages,
which meet this gallery at the four corners. This most original
construction carried Akbar's throne, which was placed immediately over
the great column. The ministers attended at the four corners of the
gallery; the great nobles and others admitted to the audience thronged
the floor beneath. The gallery is approached by two staircases,
in the thickness of the walls, which also lead up to the roof. [14]
THE ANKH-MICHAULI.--Close by the Diwan-i-Khas, on the west side,
is a building which the native guides, always ready to amuse the
innocent tourist, describe as the Ankh-Michauli, or "Blind-man's
Buff House." There is a legend that Akbar here played hide-and-seek
with the ladies of the zanana. The same story is told about a set
of apartments in the Jahangiri Mahal in the Agra Fort, but the only
ground for it seems to be that the arrangement of the rooms might lend
itself to such diversions. It most probably contained strong-rooms
for the safe custody of valuables, either state archives or jewels.
THE YOGI'S SEAT.--At the corner of the Ankh-Michauli is a square
platform covered by a domed canopy. The great carved brackets
which support the architraves are very characteristic of Jaina
construction. This was the seat of one of the Yogis, or Hindu fakirs,
who enjoyed the Emperor's favour. Akbar devoted much attention to
the occult powers claimed by these men. He even practised alchemy
and showed in public some of the gold made by him.
THE HOSPITAL.--Adjoining the Ankh-Michauli are the remains of a long,
low building, which was the hospital; a few of the wards still
remain. Possibly this was arranged on the model of the hospital
which Akbar allowed the Jesuit Fathers to build in the city. He
also permitted them to construct a small chapel. The records of the
missionaries tell us that Akbar once came there alone,
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