sonality he had moved her--a personality apparently not in harmony
with his doctrine. Women had hinted at this before. And while Mrs.
Constable had not, as she perceived, shaken his conviction, the very
vividness and unexpectedness of a confession from her--had stirred him to
the marrow, had opened doors, perforce, which he, himself had marked
forbidden, and given him a glimpse beyond before he could lower his eyes.
Was there, after all, something in him that responded in spite of
himself?

He sat gazing at her, his head bent, his strong hands on the arms of the
chair.

"We never can foresee how we may change," he answered, a light in his
eyes that was like a smile, yet having no suggestion of levity. And his
voice--despite his disagreement--maintained the quality of his sympathy.
Neither felt the oddity, then, of the absence of a jarring note. "You
may be sure, at least, of my confidence, and of my gratitude for what you
have told me."

His tone belied the formality of his speech. Mrs. Constable returned his
gaze in silence, and before words came again to either, a step sounded on
the threshold and Mr. Constable entered.

Hodder looked at him with a new vision. His face was indeed lined and
worn, and dark circles here under his eyes. But at Mrs. Constable's
"Here's Mr. Hodder, dear," he came forward briskly to welcome the
clergyman.

"How do you do?" he said cordially. "We don't see you very often."

"I have been telling Mr. Hodder that modern rectors of big parishes have
far too many duties," said his wife.

And after a few minutes of desultory conversation, the rector left.

CHAPTER VI

"WATCHMAN, WHAT OF THE NIGHT?"

It was one of those moist nights of spring when the air is pungent with
the odour of the softened earth, and the gentle breaths that stirred
the curtains in Mr. Parr's big dining-room wafted, from the garden,
the perfumes of a revived creation,--delicious, hothouse smells.
At intervals, showers might be heard pattering on the walk outside.
The rector of St. John's was dining with his great parishioner.

Here indeed were a subject for some modern master, a chance to picture
for generations to come an aspect of a mighty age, an age that may some
day be deemed but a grotesque and anomalistic survival of a more ancient
logic; a gargoyle carved out of chaos, that bears on its features a
resemblance to the past and the future.

Our scene might almost be mediaeval with its encircling gloom