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or, we shall be very much below As in all great oratory! The key of it is the pathos Back from the altar to discover that she has chained herself Cupid clipped of wing is a destructive parasite Excess of a merit is a capital offence in morality His idea of marriage is, the taking of the woman into custody I am a discordant instrument I do not readily vibrate I like him, I like him, of course, but I want to breathe I who respect the state of marriage by refusing Love and war have been compared--Both require strategy Peace, I do pray, for the husband-haunted wife Period of his life a man becomes too voraciously constant Pitiful conceit in men Rejoicing they have in their common agreement Self-worship, which is often self-distrust Suspects all young men and most young women Their idol pitched before them on the floor Were I chained, For liberty I would sell liberty Woman descending from her ideal to the gross reality of man Your devotion craves an enormous exchange MISCELLANEOUS PROSE CONTENTS: INTRODUCTION TO W. M. THACKERAY'S "THE FOUR GEORGES" A PAUSE IN THE STRIFE. CONCESSION TO THE CELT. LESLIE STEPHEN. CORRESPONDENCE FROM THE SEAT OF WAR IN ITALY LETTERS WRITTEN TO THE 'MORNING POST' FROM THE SEAT OF WAR IN ITALY. INTRODUCTION TO W. M. THACKERAY'S "THE FOUR GEORGES" WILLIAM MAKEPEACE THACKERAY was born at Calcutta, July 18, 1811, the only child of Richmond and Anne Thackeray. He received the main part of his education at the Charterhouse, as we know to our profit. Thence he passed to Cambridge, remaining there from February 1829 to sometime in 1830. To judge by quotations and allusions, his favourite of the classics was Horace, the chosen of the eighteenth century, and generally the voice of its philosophy in a prosperous country. His voyage from India gave him sight of Napoleon on the rocky island. In his young manhood he made his bow reverentially to Goethe of Weimar; which did not check his hand from setting its mark on the sickliness of Werther. He was built of an extremely impressionable nature and a commanding good sense. He was in addition a calm observer, having 'the harvest of a quiet eye.' Of this combination with the flood of subjects brought up to judgement in his mind, came the prevalent humour, the enforced disposition to satire, the singular crit
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