or, we shall be very much below
As in all great oratory! The key of it is the pathos
Back from the altar to discover that she has chained herself
Cupid clipped of wing is a destructive parasite
Excess of a merit is a capital offence in morality
His idea of marriage is, the taking of the woman into custody
I am a discordant instrument I do not readily vibrate
I like him, I like him, of course, but I want to breathe
I who respect the state of marriage by refusing
Love and war have been compared--Both require strategy
Peace, I do pray, for the husband-haunted wife
Period of his life a man becomes too voraciously constant
Pitiful conceit in men
Rejoicing they have in their common agreement
Self-worship, which is often self-distrust
Suspects all young men and most young women
Their idol pitched before them on the floor
Were I chained, For liberty I would sell liberty
Woman descending from her ideal to the gross reality of man
Your devotion craves an enormous exchange
MISCELLANEOUS PROSE
CONTENTS:
INTRODUCTION TO W. M. THACKERAY'S "THE FOUR GEORGES"
A PAUSE IN THE STRIFE.
CONCESSION TO THE CELT.
LESLIE STEPHEN.
CORRESPONDENCE FROM THE SEAT OF WAR IN ITALY LETTERS WRITTEN TO THE
'MORNING POST' FROM THE SEAT OF WAR IN ITALY.
INTRODUCTION TO W. M. THACKERAY'S "THE FOUR GEORGES"
WILLIAM MAKEPEACE THACKERAY was born at Calcutta, July 18, 1811, the
only child of Richmond and Anne Thackeray. He received the main part of
his education at the Charterhouse, as we know to our profit. Thence he
passed to Cambridge, remaining there from February 1829 to sometime
in 1830. To judge by quotations and allusions, his favourite of the
classics was Horace, the chosen of the eighteenth century, and generally
the voice of its philosophy in a prosperous country. His voyage from
India gave him sight of Napoleon on the rocky island. In his young
manhood he made his bow reverentially to Goethe of Weimar; which did not
check his hand from setting its mark on the sickliness of Werther.
He was built of an extremely impressionable nature and a commanding
good sense. He was in addition a calm observer, having 'the harvest of a
quiet eye.' Of this combination with the flood of subjects brought up
to judgement in his mind, came the prevalent humour, the enforced
disposition to satire, the singular crit
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