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The Project Gutenberg eBook, Haydn, by John F. Runciman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Haydn Author: John F. Runciman Release Date: September 20, 2004 [eBook #13504] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK HAYDN*** E-text prepared by Steven Gibbs and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original musical and pictorial illustrations. See 13504-h.htm or 13504-h.zip: (http://www.gutenberg.net/dirs/1/3/5/0/13504/13504-h/13504-h.htm) or (http://www.gutenberg.net/dirs/1/3/5/0/13504/13504-h.zip) HAYDN by JOHN F. RUNCIMAN Bell's Miniature Series of Musicians LONDON 1908 CONTENTS I. JOSEPH HAYDN II. 1732-1761 III. THE EARLY MUSIC IV. 1761-1790 V. MUSIC OF THE MIDDLE PERIOD VI. 1790-1795 VII. THE GREAT SYMPHONIES VIII. 1795-1809 IX. SUMMING UP HAYDN'S PRINCIPAL COMPOSITIONS BOOKS ABOUT HAYDN CHAPTER I JOSEPH HAYDN It is, as a rule, inexpedient to begin a book with the peroration. Children are spared the physic of the moral till they have sucked in the sweetness of the tale. Adults may draw from a book what of good there is in it, and close it before reaching the chapter usually devoted to fine writing. But the case of Haydn is extraordinary. One can only sustain interest in a biography of the man by an ever-present sense that he is scarcely to be written about. All an author can do is, in few or many words, to put a conundrum to the reader--a conundrum that cannot even be stated in exciting terms. This apparition and wonder-worker of the eighteenth century, Franz Joseph Haydn, is compact of paradoxes and contradictions. Born a peasant, and remaining in thought and speech a peasant all his days, he became the friend of princes, dukes, and, generally speaking, very high society indeed--and this in days when class distinctions had to be observed. He effected a revolution in music, and revolutionists must have daring; and save in music he showed no sign of unusual daring. His shaping and han
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