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ave had no help. He kept to his work from such an early hour in the morning until such a late hour of the night that the people marvelled at his endurance. But as the work went on the people would talk about Martin Cosgrave's building in the fields and tell strangers of it at the markets. They said that the like of it had never been seen in the countryside. It was to be "full of little turrets and the finest of fancy porches and a regular sight of bulging windows." One day that Martin Cosgrave heard a neighbour speaking about the "bulging windows" he laughed a half-bitter, half-mocking laugh. "Tell them," he said, "that they are cut-stone tracery windows to fit in with the carved doors." These cut-stone windows and carved doors cost Martin Cosgrave such a length of time that they provoked the patience of the people. Out of big slabs of stone he had worked them, and sometimes he would ask the neighbours to give him a hand in the shifting of these slabs. But he was quick to resent any interference. One day a stone-cutter from the quarry went up on the scaffold, and when Martin Cosgrave saw him he went white to the lips and cursed so bitterly that those standing about walked away. When the shell of the building had been finished Martin Cosgrave hired a carpenter to do all the woodwork. The woodwork cost money. Martin Cosgrave did not hesitate. He sold some of his sheep, sold them hurriedly, and as all men who sell their sheep hurriedly, he sold them badly. When the carpentry had been finished, the roofing cost more money. One day the neighbours discovered that all the sheep had been sold. "He's beggared now," they said. The farmer who turned the sod a few fields away laboured in the damp atmosphere of growing things, his mind filled with thoughts of bursting seeds and teeming barns. He shook his head at sight of Martin Cosgrave above on the hill bent all day over hard stones; whenever he looked up he only caught the glint of a trowel, or heard the harsh grind of a chisel. But Martin Cosgrave took no stock of the men reddening the soil beneath him. Whenever his eyes travelled down the hillside he only saw the flock of crows that hung over the head of the digger. The study of the veins of limestone that he turned in his hands, the slow moulding of the crude shapes to their place in the building, the rhythm and swing of the mallet in his arm, the zest with which he felt the impact of the chisel on the stone, the ring of
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