1804 had to be given up on account of the wars. The rest of
his life was spent in Vienna, where he became one of the most influential
teachers. In all he published over a thousand compositions, the most
lasting of which were his pedagogic piano studies. As a musical writer he
gained recognition by a work on the history of music.
[Sidenote: Death of Beranger]
[Sidenote: The poet's early career]
[Sidenote: Napoleonic songs]
[Sidenote: Beranger in prison]
On the day following Czerny's death, Jean Pierre Beranger, the great French
song writer, died at Paris. He was seventy-seven years old. Little cared
for by his father, he was brought up by his grandfather, a tailor, who let
him roam the streets as a gamin. At the age of nine he was sent to act as a
tavern boy for his aunt, who kept a small inn near Peronne in Picardy. In
his fourteenth year he was apprenticed to a printer, and learned the first
principles of versification while setting up the poems of Andre Chenier. On
his own behalf he soon printed a small volume of songs entitled "A Garland
of Roses." In 1798, he returned to Paris, and was reclaimed by his father.
For more than a year he had no settled occupation, during which time he
composed some of his best songs. At the outset of the Nineteenth Century,
Beranger definitely determined to follow the career of letters. He wrote a
comedy, but failing to get it accepted threw it into the fire. Collecting
all his poems he sent them to Lucien Bonaparte, the enlightened brother of
the First Consul. Prince Lucien took the young poet under his patronage,
but, unfortunately for Beranger, soon had to leave France, an exile. On
his arrival at Rome, Lucien Bonaparte transmitted to Beranger the salary
coming to him as a member of the Institute. As a song writer Beranger made
the most of his opportunities. In 1809, he was appointed Secretary of the
University of France, an office which he held throughout the Napoleonic
era. In 1813, he became a member of the Jolly Topers of the Caveau, then
the resort of the most distinguished literary men of Paris. On the fall of
Napoleon, Beranger took it upon himself to sing the glory of the fallen
empire in elegiac strains. A severe reprimand was administered to him by
the government. His second series of Napoleonic songs, published in 1821,
cost him his place and three months' confinement in the prison of St.
Pelagie, while his third (1828) subjected him to nine months' imprisonment
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