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. When the painting was to be put in the new Ryks Museum, in Amsterdam, it was found that the wall was too narrow for the picture. What do you think the authorities did? The stupid men cut a piece off from each side of the picture to fit it in its new place. Was ever anything so silly? Even those pieces cut off would bring more money to-day than the museum itself cost. The men who had money at the time Rembrandt painted the picture were angry because the artist would not make portraits as they wanted them. They ignored Rembrandt, and he became very poor and died unknown. To-day those rich men are forgotten and Rembrandt is known the world over. [Illustration: FIG. 15. THE NIGHT WATCH. REMBRANDT. RYKS MUSEUM, AMSTERDAM] THE ASSUMPTION TITIAN, OR TIZIANO VECELLI (1477-1576) Titian lived to be ninety-nine-years old and still painted pictures. He was working on a painting when an awful plague broke out in Venice, and he took it and died. Titian painted such wonderful pictures that kings came to see them and rich noblemen paid big sums of money to own them. Sometimes King Charles V would ride with Titian and would have his courtiers pay tribute to Titian and wait on him. This made those haughty men very jealous and very angry, but Charles V would say, "I have many nobles, but I have only one Titian." Titian's picture of the "Virgin going to Heaven" the whole world calls one of the greatest pictures ever painted. Some day I hope you will go to Venice, that Queen City of the Sea, and fasten your gondola at the Museum door while you go in to see this picture. You will be so dazzled with its bright color that you will hardly see the little cherubs circling around the blessed mother. But I want you to look at them; they are darlings: then look at the men all reaching up and the Father in the sky looking down. The story of the picture is about Mary, the mother of Jesus, going to heaven. [Illustration: FIG. 16. THE ASSUMPTION. TITIAN. ACADEMY, VENICE] THE MELON EATERS BARTOLOME ESTEBAN MURILLO (1618-1682) When the Spanish artist Murillo was a young painter he was very poor and hardly knew where to get enough to eat. He would go to the market-place and set up his easel and rapidly paint the scenes around him. The people who came to the market to buy and sell saw these pictures and bought them for a mere pittance. Often beggar boys, who were everywhere in the market snatching fruits and ot
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