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picuous place. Afterwards Janina calmly took from her pocket the bottle with the poison, uncorked it, held the liquid up to the light and then, without thinking or hesitating any longer drank it to the very dregs. Suddenly, she stretched out her arms, a gleam of terror shot across her face, her eyes closed, as though blinded by some measureless void that opened before, and she fell prone upon the floor, in dreadful convulsions of pain. A few days later, Kotlicki, having returned from Lublin where he had installed Topolski's company, was sitting in a coffee-house, looking over the newspapers, and by some strange chance his eye fell upon the following item among the local accidents of the day: "THE SUICIDE OF AN ACTRESS" "On Tuesday, in the chambres garnies on Nowy Swiat, the servants were aroused by moans issuing from one of the rooms which an hour ago had been engaged by an unknown woman. They broke open the door and a dreadful sight met their eyes. Upon the floor lay writhing in pain a young and beautiful woman. Two letters left behind by her revealed that she was a certain Janina Orlowska, a former chorus girl who appeared last season in the N. N. Theater under Cabinski's management. "A physician was called and the unconscious woman was taken to the Hospital of the Infant Jesus. Her condition is serious but it still holds forth some hope. Miss Orlowska poisoned herself with essence of vinegar, as is attested by the bottle that was found in her room. The cause of her desperate act is unknown, but an investigation is being made. . . ." Kotlicki read this over several times, knitted his brows, tugged at his mustache, read it again and, finally, crumpled up The Courier and threw it in anger upon the floor. "A comedienne! A comedienne!" he whispered scornfully, biting his lips. ***END OF THE PROJECT GUTENBERG EBOOK THE COMEDIENNE*** ******* This file should be named 25760.txt or 25760.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/5/7/6/25760 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Term
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