sch, the Jewish Maupassant_ (Dec.) 285
SIMON, ABRAHAM M.: _Jochanan ben Zakkai_ (June) 173
STRAUSS, SAMUEL: _Days of Disillusionment_ (Jan.) 39
STRAUS, OSCAR S., Letter from (Dec.) 281
STRUCK, HERMANN: Etching of Theodor Herzl, _Frontispiece_ (Dec.)
Students: _See_ Jewish Students.
_Symbolism, The, of the Menorah_, (Oct.) 248
University Authorities, Menorah Addresses by (Jan.) 45, (Apr.) 121,
145, (Dec.) 319
War, The Present:
_The Jews in the War_ (Jan.) 23
_The Jewish Problem Today_ (Apr.) 75
_Nationality and the Hyphenated American_ (Apr.) 79
_The War from a Jewish Standpoint_ (June) 150
_What Is Judaism?_ (Dec.) 309
_What Judaism Is Not_ (Oct.) 208
WISE, STEPHEN S., Greeting from (Jan.) 12
WOLFSON, HARRY: _Jewish Students in European Universities_ (Jan.) 26
(Apr.) 106
_Yankee and Jew_ (Apr.) 87
ZANGWILL, ISRAEL: _For Small Mercies_: A Sonnet (Apr.) 71
_Zionism: A Menorah Prize Essay_ (Apr.) 111, (June) 179
* * * * *
[Illustration: CARUSO & HIS HARDMAN PIANO]
[Illustration:
New York, April 13th, 1914.
Messers. Hardman, Peck & Company, #433 Fifth Avenue, New York City.
Dear Mr. Peck:--
The five foot Hardman Grand which you have sent for my use to my
apartment is certainly a beautiful piano. I was surprised how your
factory was able to produce such a wonderful tone in such a small
Grand.
Accept my congratulations for your success.
Sincerely,
Signature: Enrico Caruso]
_The New_
HARDMAN Five-Foot Grand
The perfect small Grand Piano, exquisite in its artistic lines and
marvelous in tone.
=Caruso=
uses one himself and calls its tone "wonderful."
=Price, $650=
We cordially invite you to visit our warerooms and hear this marvelous
little Grand, without placing you under any obligation to buy.
=HARDMAN, PECK & COMPANY=
=BROOKLYN STORE=
=524 Fulton Street=
=Near Hanover Place=
(=Founded 1842=)
=HARDMAN HOUSE=
=433 Fifth Avenue=
=Bet. 38th & 39th Sts.=
* * * * *
Kindly mention The Menorah Journal when writing to advertisers
* * * * *
[Illustration: Steinway]
STEINWAY
The purchase of a Steinway for the home means the selection of the
ideal piano, tone and workmanship being of first importance.
It is the price of the Steinway which makes po
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