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sch, the Jewish Maupassant_ (Dec.) 285 SIMON, ABRAHAM M.: _Jochanan ben Zakkai_ (June) 173 STRAUSS, SAMUEL: _Days of Disillusionment_ (Jan.) 39 STRAUS, OSCAR S., Letter from (Dec.) 281 STRUCK, HERMANN: Etching of Theodor Herzl, _Frontispiece_ (Dec.) Students: _See_ Jewish Students. _Symbolism, The, of the Menorah_, (Oct.) 248 University Authorities, Menorah Addresses by (Jan.) 45, (Apr.) 121, 145, (Dec.) 319 War, The Present: _The Jews in the War_ (Jan.) 23 _The Jewish Problem Today_ (Apr.) 75 _Nationality and the Hyphenated American_ (Apr.) 79 _The War from a Jewish Standpoint_ (June) 150 _What Is Judaism?_ (Dec.) 309 _What Judaism Is Not_ (Oct.) 208 WISE, STEPHEN S., Greeting from (Jan.) 12 WOLFSON, HARRY: _Jewish Students in European Universities_ (Jan.) 26 (Apr.) 106 _Yankee and Jew_ (Apr.) 87 ZANGWILL, ISRAEL: _For Small Mercies_: A Sonnet (Apr.) 71 _Zionism: A Menorah Prize Essay_ (Apr.) 111, (June) 179 * * * * * [Illustration: CARUSO & HIS HARDMAN PIANO] [Illustration: New York, April 13th, 1914. Messers. Hardman, Peck & Company, #433 Fifth Avenue, New York City. Dear Mr. Peck:-- The five foot Hardman Grand which you have sent for my use to my apartment is certainly a beautiful piano. I was surprised how your factory was able to produce such a wonderful tone in such a small Grand. Accept my congratulations for your success. Sincerely, Signature: Enrico Caruso] _The New_ HARDMAN Five-Foot Grand The perfect small Grand Piano, exquisite in its artistic lines and marvelous in tone. =Caruso= uses one himself and calls its tone "wonderful." =Price, $650= We cordially invite you to visit our warerooms and hear this marvelous little Grand, without placing you under any obligation to buy. =HARDMAN, PECK & COMPANY= =BROOKLYN STORE= =524 Fulton Street= =Near Hanover Place= (=Founded 1842=) =HARDMAN HOUSE= =433 Fifth Avenue= =Bet. 38th & 39th Sts.= * * * * * Kindly mention The Menorah Journal when writing to advertisers * * * * * [Illustration: Steinway] STEINWAY The purchase of a Steinway for the home means the selection of the ideal piano, tone and workmanship being of first importance. It is the price of the Steinway which makes po
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