r, when we get back to the house, Mr. Lake, I
could tell you a tale about that tomb. I won't begin on it now; it
strikes cold here, and we don't want to be dawdling about all night."
"Of course I should like to hear it immensely."
"Very well, sir, you shall. Now if I might put a question to you," he
went on, as they passed down the choir aisle, "in our little local
guide--and not only there, but in the little book on our Cathedral in
the series--you'll find it stated that this portion of the building
was erected previous to the twelfth century. Now of course I should be
glad enough to take that view, but--mind the step, sir--but, I put it
to you--does the lay of the stone 'ere in this portion of the wall
(which he tapped with his key) does it to your eye carry the flavour
of what you might call Saxon masonry? No? I thought not; no more it
does to me: now, if you'll believe me, I've said as much to those
men--one's the librarian of our Free Libry here, and the other came
down from London on purpose--fifty times, if I have once, but I might
just as well have talked to that bit of stonework. But there it is, I
suppose every one's got their opinions."
The discussion of this peculiar trait of human nature occupied Mr.
Worby almost up to the moment when he and Lake re-entered the former's
house. The condition of the fire in Lake's sitting-room led to a
suggestion from Mr. Worby that they should finish the evening in his
own parlour. We find them accordingly settled there some short time
afterwards.
Mr. Worby made his story a long one, and I will not undertake to tell
it wholly in his own words, or in his own order. Lake committed the
substance of it to paper immediately after hearing it, together with
some few passages of the narrative which had fixed themselves
_verbatim_ in his mind; I shall probably find it expedient to condense
Lake's record to some extent.
Mr. Worby was born, it appeared, about the year 1828. His father
before him had been connected with the Cathedral, and likewise his
grandfather. One or both had been choristers, and in later life both
had done work as mason and carpenter respectively about the fabric.
Worby himself, though possessed, as he frankly acknowledged, of an
indifferent voice, had been drafted into the choir at about ten years
of age.
It was in 1840 that the wave of the Gothic revival smote the Cathedral
of Southminster. "There was a lot of lovely stuff went then, sir,"
said Worb
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