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or explorer is taken by children who, under the stimulus of their spontaneous imagery and as yet untrammeled by self-consciousness, freely enter into the character they portray. The dramatic impulse never wholly dies out. When we no longer aspire to do the acting ourselves we have others do it for us in the theaters or the movies. Education finds in the dramatic instinct a valuable aid. Progressive teachers are using it freely, especially in the teaching of literature and history. Its application to these fields may be greatly increased, and also extended more generally to include religion, morals, and art. THE IMPULSE TO FORM GANGS AND CLUBS.--Few boys and girls grow up without belonging at some time to a secret gang, club or society. Usually this impulse grows out of two different instincts, the _social_ and the _adventurous_. It is fundamental in our natures to wish to be with our kind--not only our human kind, but those of the same age, interests and ambitions. The love of secrecy and adventure is also deep seated in us. So we are clannish; and we love to do the unusual, to break away from the commonplace and routine of our lives. There is often a thrill of satisfaction--even if it be later followed by remorse--in doing the forbidden or the unconventional. The problem here as in the case of many other instincts is one of guidance rather than of repression. Out of the gang impulse we may develop our athletic teams, our debating and dramatic clubs, our tramping clubs, and a score of other recreational, benevolent, or social organizations. Not repression, but proper expression should be our ideal. 6. FEAR Probably in no instinct more than in that of fear can we find the reflections of all the past ages of life in the world with its manifold changes, its dangers, its tragedies, its sufferings, and its deaths. FEAR HEREDITY.--The fears of childhood "are remembered at every step," and so are the fears through which the race has passed. Says Chamberlain: "Every ugly thing told to the child, every shock, every fright given him, will remain like splinters in the flesh, to torture him all his life long. The bravest old soldier, the most daring young reprobate, is incapable of forgetting them all--the masks, the bogies, ogres, hobgoblins, witches, and wizards, the things that bite and scratch, that nip and tear, that pinch and crunch, the thousand and one imaginary monsters of the mother, the nurse, or the serva
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