r flung behind
her into the room. "I am going to be hissed and hooted and insulted!"
"Olive, Olive!" Verena suddenly shrieked; and her piercing cry might
have reached the front. But Ransom had already, by muscular force,
wrenched her away, and was hurrying her out, leaving Mrs. Tarrant to
heave herself into the arms of Mrs. Burrage, who, he was sure, would,
within a minute, loom upon her attractively through her tears, and
supply her with a reminiscence, destined to be valuable, of aristocratic
support and clever composure. In the outer labyrinth hasty groups, a
little scared, were leaving the hall, giving up the game. Ransom, as he
went, thrust the hood of Verena's long cloak over her head, to conceal
her face and her identity. It quite prevented recognition, and as they
mingled in the issuing crowd he perceived the quick, complete,
tremendous silence which, in the hall, had greeted Olive Chancellor's
rush to the front. Every sound instantly dropped, the hush was
respectful, the great public waited, and whatever she should say to them
(and he thought she might indeed be rather embarrassed) it was not
apparent that they were likely to hurl the benches at her. Ransom,
palpitating with his victory, felt now a little sorry for her, and was
relieved to know that, even when exasperated, a Boston audience is not
ungenerous. "Ah, now I am glad!" said Verena, when they reached the
street. But though she was glad, he presently discovered that, beneath
her hood, she was in tears. It is to be feared that with the union, so
far from brilliant, into which she was about to enter, these were not
the last she was destined to shed.
THE END
End of Project Gutenberg's The Bostonians, Vol. II (of II), by Henry James
*** END OF THIS PROJECT GUTENBERG EBOOK THE BOSTONIANS, VOL. II (OF II) ***
***** This file should be named 19718.txt or 19718.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/9/7/1/19718/
Produced by Suzanne Lybarger, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special r
|