osite direction from his.
I'll--" Just here I observed consternation spread over Dabney's black
face, then communicate itself to father's distressed countenance as he
glanced out the window. Quickly he pushed his morning julep behind the
jar of roses in the center of the table, while Dabney flung a napkin
over the silver pitcher with frost on its sides and mint nodding over
its brim.

And then, as I was about to pour my own coffee and launch forth on
another tirade on the subject of my neighbor, I heard a rich tenor voice
singing just outside the window in the garden beside the steps that led
down from the long windows in the dining room to the old flagstone walk.
Nickols and I had searched through volumes of dusty antique prints to
see just how we wanted that walk to lead out to the sunken garden beyond
the tall old poplars. I also saw the handle of a rake or hoe in action
across the window landscape and heard unmistakable sounds of vigorous
gardening.

I rose to my feet with battle in my eyes and then stopped perfectly
still and listened--unwillingly but compelled.

"Drink to me only with thine eyes
And I will pledge with mine,"

were the words that floated in at the window on the fragrant morning
sunbeams, in a voice of the most penetrating tenderness I had ever felt
break against my heartstrings.

"I--I--he sometimes demolishes a--a few weeds," father faltered, while
Dabney ducked his cotton-wool old head and slipped out of the door.

"You allow him to work in my--garden--and--" I faltered, just recovering
from the impact of the words of my favorite song of songs hurled at me
by the unseen enemy, when I was interrupted by his appearance in the
open door and we stood facing each other.

I am a woman who has very decided tastes about the biological man. I
know just how I want the creatures to look, and I haven't much interest
in one that isn't at least of the type of my preferred kind. Because I
am very tall and broad and deep-bosomed and vivid and high colored, and
have strong white teeth that crunch up about as much food in the
twenty-four hours as most field hands consume, and altogether I am very
much like one of the most vigorous of Sorolla's paintings, that is the
probable pathological reason I have always preferred an evolved Whistler
masculine nocturne that retreats to the limits of my comprehension and
then beckons me to follow. All other men I have grouped beyond the
border of my feminine na