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in regard to the realistic, when the truth of a well-told story or life-like character does not come home, we think that then, too, there is deficiency in the critical ability. But there is nothing necessarily lacking to a man because he does not enjoy _The Heathen Chinee_ or _The Biglow Papers_; and the man to whom these delights of American humour are leather and prunello may be of all the most enraptured by the wit of Sam Weller or the mock piety of Pecksniff. It is a matter of taste and not of intellect, as one man likes caviare after his dinner, while another prefers apple-pie; and the man himself cannot, or, as far as we can see, does not direct his own taste in the one matter more than in the other. Therefore I cannot ask others to share with me the delight which I have in the various and peculiar expressions of the ludicrous which are common to Thackeray. Some considerable portion of it consists in bad spelling. We may say that Charles James Harrington Fitzroy Yellowplush, or C. FitzJeames De La Pluche, as he is afterwards called, would be nothing but for his "orthogwaphy so carefully inaccuwate." As I have before said, Mrs. Malaprop had seemed to have reached the height of this humour, and in having done so to have made any repetition unpalatable. But Thackeray's studied blundering is altogether different from that of Sheridan. Mrs. Malaprop uses her words in a delightfully wrong sense. Yellowplush would be a very intelligible, if not quite an accurate writer, had he not made for himself special forms of English words altogether new to the eye. "My ma wrapped up my buth in a mistry. I may be illygitmit; I may have been changed at nus; but I've always had gen'l'm'nly tastes through life, and have no doubt that I come of a gen'l'm'nly origum." We cannot admit that there is wit, or even humour, in bad spelling alone. Were it not that Yellowplush, with his bad spelling, had so much to say for himself, there would be nothing in it; but there is always a sting of satire directed against some real vice, or some growing vulgarity, which is made sharper by the absurdity of the language. In _The Diary of George IV._ there are the following reflections on a certain correspondence; "Wooden you phansy, now, that the author of such a letter, instead of writun about pipple of tip-top quality, was describin' Vinegar Yard? Would you beleave that the lady he was a-ritin' to was a chased modist lady of honour and mother of a f
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