which was not readily
forthcoming, Mr. Gryce handed her over to Correy with an injunction to
see that she was given a comfortable seat below and proceeded to finish
up this portion of the building by a search through the three great rooms
extending along the rear.
He found them all empty and without clue of any kind, and satisfied that
his real work lay in front, he returned thither with as much expedition
as old age and rheumatism would admit. Why, in doing so, he went for the
third time through the gallery instead of through rooms J, H and I, he
did not stop to inquire, though afterward he asked that question of
himself more than once. Had he taken this latter course, he might not
have missed--
But that will come later. What we have to do now is to accompany him to
the front of the building, where matters of importance undoubtedly await
him. He had noted, in his previous passage to and fro, that the young man
who had been nearest to the tragedy was in his place before the case of
coins in Section I. This time he noted something more. The young man was
in the selfsame spot, but during this brief interval of waiting, the
passion he evidently cherished for numismatics had reasserted itself, and
he now stood with his eyes bent as eagerly upon the display of coins over
which he hung, as if no shaft of death had crossed the space without and
no young body lay in piteous quiet beyond the separating partition.
It was an exhibition of one of the most curious traits of human nature,
and Mr. Gryce would undoubtedly have expended a few cynical thoughts upon
it if, upon entering the broad front corridor which he had hitherto
avoided, he had not run upon Sweetwater pointing in a meaning way toward
two huge cases which, stacked with medieval arms, occupied one of the
corners.
"Odd couple over there," he whispered as the older detective paused to
listen. "Been watching them for the last five minutes. They pretend to be
looking at some old armor, but they are mighty uneasy and keep glancing
up at the window overhead as if they would like to jump out."
Mr. Gryce indulged in one of his characteristic exclamations. This was
the couple whose queer actions he had noticed on the staircase. "I'll
have a talk with them presently. Anyone in the rooms opposite?"
"Yes, the Curator. He's in Room A, where there are a lot of engravings
waiting to be hung. I guess he was pretty well up to his neck in business
when that fellow Correy set
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