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The Project Gutenberg eBook, The Phantom Ship, by Captain Frederick Marryat This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Phantom Ship Author: Captain Frederick Marryat Release Date: July 19, 2004 [eBook #12954] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE PHANTOM SHIP*** E-text prepared by Ted Garvin, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team THE PHANTOM SHIP by CAPTAIN FREDERICK MARRYAT LONDON MDCCCXCVI Contents CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII Prefatory Note _THE PHANTOM SHIP_ is the most notable of the three novels constructed by Marryat on an historic basis, and like its predecessor in the same category, _Snarleyyow_, depends largely for its interest on the element of _diablerie_, which is very skilfully manipulated. Here, however, the supernatural appearances are never explained away, and the ghostly agencies are introduced in the spirit of serious, if somewhat melodramatic, romance. Marryat's personal experience enabled him, with little research, to produce a life-like picture of old Dutch seamanship, and his powers in racy narrative have transformed the Vanderdecken legend into a stirring tale of terror. The plot cannot be called original, but it is more carefully worked out and, from the nature of the material at hand, more effective than most of Marryat's own. He has put life into it, moreover, by the creation of some genuine characters, designed for nobler ends than to move the machinery. Amine, indeed, as Mr Hannay points out, "is by far his nearest approach to an acceptable heroine." Her romanti
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