ut evil things, in robes of sorrow,
Assailed the monarch's high estate
(Ah, let us mourn, for never morrow
Shall dawn upon him, desolate!);
And, round about his home, the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
VI
And travelers now within that valley,
Through the red-litten windows, see
Vast forms that move fantastically
To a discordant melody;
While, like a rapid ghastly river,
Through the pale door,
A hideous throng rush out forever,
And laugh--but smile no more.
I well remember that suggestions arising from this ballad led us into
a train of thought wherein there became manifest an opinion of Usher's
which I mention not so much on account of its novelty (for other
men[12] have thought thus) as on account of the pertinacity with which
he maintained it. This opinion, in its general form, was that of the
sentience of all vegetable things. But, in his disordered fancy, the
idea had assumed a more daring character, and trespassed, under
certain conditions, upon the kingdom of inorganization. I lack words
to express the full extent or the earnest _abandon_ of his persuasion.
The belief, however, was connected (as I have previously hinted) with
the gray stones of the home of his forefathers. The conditions of the
sentience had been here, he imagined, fulfilled in the method of
collocation of these stones--in the order of their arrangement, as
well as in that of the many _fungi_ which overspread them, and of the
decayed trees which stood around--above all, in the long-undisturbed
endurance of this arrangement, and in its reduplication in the still
waters of the tarn. Its evidence--the evidence of the sentience--was
to be seen, he said (and I here started as he spoke), in the gradual
yet certain condensation of an atmosphere of their own about the
waters and the walls. The result was discoverable, he added, in that
silent, yet importunate and terrible influence which for centuries had
molded the destinies of his family, and which made _him_ what I now
saw him--what he was. Such opinions need no comment, and I will make
none.
Our books--the books which, for years, had formed no small portion of
the mental existence of the invalid--were, as might be supposed, in
strict keeping with this character of phantasm. We pored together over
such works as the _Ververt et Chartreuse_[13]
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