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e honor. His narrative is clear, compressed, and powerful, and throughout his writings choice symbols abound. He was fond of themes of death, insanity, and terror. The wonder of it all is that this struggling, poverty-stricken craftsman, irregular in his habits of living, using only negative life and shadowy abstractions, should, from out his disordered fancies, weave stories and poems of such undying beauty and force. Poe married his thirteen-year-old cousin, Virginia Clemm. Her health was always delicate and her death confirmed Poe's tendency toward dissipation. His life was filled with dire poverty and a hard struggle for a livelihood. His home relations were happy. The last years of his life were spent at Fordham, a suburb of New York. He died in a Baltimore hospital, October 7, 1849. BIOGRAPHICAL REFERENCES _Introduction to American Literature_, Brander Matthews. _Studies in American Literature_, Charles Noble. _Introduction to American Literature_, F.V.N. Painter. _Life of Poe_, Richard Henry Stoddard. _Edgar Allan Poe_, G.E. Woodberry. _Makers of English Fiction_, W.J. Dawson. "Art of Poe, _Independent_, 66: 157-8. January 21, 1909. "Dual Personality," _Current Literature_, 43: 287-8. CRITICISMS Some critics have maintained that Poe is our only original genius in American Literature. Lowell wrote in his _Fable for Critics_:-- "There comes Poe with his raven, like Barnaby Rudge, Three-fifths of him genius, and two-fifths sheer fudge." Whatever judgments the various critics may give of Poe and his writings, they must all agree that he is original. He is a clever writer in a limited field. His writings have a glow and burnish that have their origin in his fondness for sensations, color, and vividness of details. He loves mystery and terror,--not the fancies and fears of a child, but overwrought nerves. His material is unreal, and remote from ordinary life. His characters are abnormal, and the world they live in is exceptional. He is inventive, original in arranging his material, and shallow but keen in his thinking. He believed that art and life have little in common, and in his writings seemed to be unmoved by friendship, loyalty, patriotism, courage, self-sacrifice or any of the great positive attributes of life that make living worth while. His writings lack the human touch, tenderness, and the buoyancy of sympathy. He is an artist who does his work with a clear-cut, hard fin
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