ried out. He usually made himself as
limp as possible, which added to the difficulty of his exit and the
amusement of the audience. A ripple of merriment would unsettle, for a
moment, even the dignity of the platform when Abigail Folsom, another
crank, would shout from the gallery, "Stop not, my brother, on the order
of your going, but go." The abolitionists were making the experiment, at
this time, of a free platform, allowing everyone to speak as moved by
the spirit, but they soon found that would not do, as those evidently
moved by the spirit of mischief were quite as apt to air their vagaries
as those moved by the spirit of truth.
However, the Garrisonian platform always maintained a certain degree of
freedom outside its regular programme, and, although this involved extra
duty in suppressing cranks, yet the meeting gained enthusiasm by some
good spontaneous speaking on the floor as well as on the platform. A
number of immense mass meetings were held in Faneuil Hall, a large,
dreary place, with its bare walls and innumerable dingy windows. The
only attempt at an ornament was the American eagle, with its wings
spread and claws firmly set, in the middle of the gallery. The gilt was
worn off its beak, giving it the appearance, as Edmund Quincy said, of
having a bad cold in the head.
This old hall was sacred to so many memories connected with the early
days of the Revolution that it was a kind of Mecca for the lovers of
liberty visiting Boston. The anti-slavery meetings held there were often
disturbed by mobs that would hold the most gifted orator at bay hour
after hour, and would listen only to the songs of the Hutchinson family.
Although these songs were a condensed extract of the whole anti-slavery
constitution and by-laws, yet the mob was as peaceful under these paeans
to liberty as a child under the influence of an anodyne. What a welcome
and beautiful vision that was when the four brothers, in blue broadcloth
and white collars, turned down _a la_ Byron, and little sister Abby in
silk, soft lace, and blue ribbon, appeared on the platform to sing their
quaint ballads of freedom! Fresh from the hills of New Hampshire, they
looked so sturdy, so vigorous, so pure, so true that they seemed fitting
representatives of all the cardinal virtues, and even a howling mob
could not resist their influence. Perhaps, after one of their ballads,
the mob would listen five minutes to Wendell Phillips or Garrison until
he gave them
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