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dom of individual men to persist in idiosyncrasies the world may be enriched. Why should we not apply this argument to the idiosyncrasy of a nation, and pause in our haste to hoot it down? There is still a great function for the steadfastness of the Jew: not that he should shut out the utmost illumination which knowledge can throw on his national history, but that he should cherish the store of inheritance which that history has left him. Every Jew should be conscious that he is one of a multitude possessing common objects of piety in the immortal achievements and immortal sorrows of ancestors who have transmitted to them a physical and mental type strong enough, eminent enough in faculties, pregnant enough with peculiar promise, to constitute a new beneficent individuality among the nations, and, by confuting the traditions of scorn, nobly avenge the wrongs done to their Fathers. There is a sense in which the worthy child of a nation that has brought forth illustrious prophets, high and unique among the poets of the world, is bound by their visions. Is bound? Yes, for the effective bond of human action is feeling, and the worthy child of a people owning the triple name of Hebrew, Israelite, and Jew, feels his kinship with the glories and the sorrows, the degradation and the possible renovation of his national family. Will any one teach the nullification of this feeling and call his doctrine a philosophy? He will teach a blinding superstition--the superstition that a theory of human wellbeing can be constructed in disregard of the influences which have made us human. THE END. End of Project Gutenberg's Impressions of Theophrastus Such, by George Eliot *** END OF THIS PROJECT GUTENBERG EBOOK IMPRESSIONS OF THEOPHRASTUS SUCH *** ***** This file should be named 10762.txt or 10762.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/0/7/6/10762/ Produced by Afra Ullah and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of
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