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rning of the knob. She shrank back into the corner, close to the chest, and hid her face in her hands, then someone lifted her up. "Sweetheart," cried Lynn, "have you come back to me?" At the touch, at the tender word, the barriers crumbled away, and Iris lifted her lovely tear-stained face to his. "Yes," she said, unsteadily, "I have come back. Will you forgive me?" "Forgive you?" repeated Lynn, with a happy laugh; "why, dearest, there is nothing to forgive!" In that radiant instant, he thought he spoke the truth, so quickly do we forget sorrow when the sun shines into the soul. "Oh!" sobbed Iris, hiding her face against his shoulder, "I--I said you had no heart!" "So I haven't, darling," answered Lynn, tenderly; "I gave it all to you, the very first day I saw you. Will you keep it for me, dear? Will you give me a little corner of your own?" "All," whispered Iris. "I think it has always been yours, but I didn't know until just now." "How long have you been here, sweetheart?" "I--I don't know. I heard you play, and then I knew." "It was that blessed Cremona," said Lynn, with his lips against her hair. "You said I should never kiss you again, dear, do you remember? Don't you think it's time you changed your mind?" The golden minutes slipped by, and still they stood there, by the window in the hall. Margaret came back, and went up to her room, but no one heard her, even though she was singing. At the head of the stairs, she stopped, startled. Then, by the light of her own happiness, she understood, and crept softly away. THE END TRANSCRIBER'S NOTE: Minor changes have been made to correct typesetters' errors; otherwise, every effort has been made to remain true to the author's words and intent. End of the Project Gutenberg EBook of The Master's Violin, by Myrtle Reed *** END OF THIS PROJECT GUTENBERG EBOOK THE MASTER'S VIOLIN *** ***** This file should be named 33601.txt or 33601.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/6/0/33601/ Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and dis
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