FREE BOOKS

Author's List




PREV.   NEXT  
|<   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48  
49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   >>   >|  
great gain to the priests, both in this and other countries, as, after decorating the idol gods for a time, these rich offerings were their perquisites, who of course encouraged this notable sort of devotion. We are told that it was carried so far that some idols had both winter and summer garments. Tokens of friendship consisting of richly embroidered veils, handkerchiefs, &c., were then, as now, passing from one fair hand to another, as pledges of affection; and as the last holy office of love, the bereaved mother, the desolate widow, or the maiden whose budding hopes were blighted by her lover's untimely death, might find a fanciful relief to her sorrows by decorating the garment which was to enshroud the spiritless but undecaying form. The chief proportion of the mummy-cloths which have been so ruthlessly torn from these outraged relics of humanity are coarse; but some few have been found delicately and beautifully embroidered; and it is not unnatural to suppose that this difference was the result of feminine solicitude and undying affection. The embroidering of the sails of vessels too was pursued as an article of commerce, as well as for the decoration of native pleasure-boats. The ordinary sails were white; but the king and his grandees on all gala occasions made use of sails richly embroidered with the phoenix, with flowers, and various other emblems and fanciful devices. Many also were painted, and some interwoven in checks and stripes. The boats used in sacred festivals upon the Nile were decorated with appropriate symbols, according to the nature of the ceremony or the deity in whose service they were engaged; and the edges of the sails were finished with a coloured hem or border, which would occasionally be variegated with slight embroidery. Shakspeare's description of the barge of Cleopatra when she embarked on the river Cydnus to meet Antony, poetical as it is, seems to be rigidly correct in detail. Enobarbus.--I will tell you. The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the sails, and so perfumed, that The winds were love-sick with them: the oars were silver; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous of their strokes. For her own person, It beggar'd all description: she did lie In her pavilion (cloth of gold, of tissue), O'erpi
PREV.   NEXT  
|<   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48  
49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   >>   >|  



Top keywords:
embroidered
 
affection
 
richly
 

fanciful

 

description

 
decorating
 
coloured
 

finished

 

embroidery

 

slight


variegated

 
Shakspeare
 

border

 

occasionally

 
painted
 

interwoven

 

checks

 

stripes

 

devices

 

phoenix


flowers

 

emblems

 

sacred

 

ceremony

 

nature

 
service
 
engaged
 

symbols

 
festivals
 

Cleopatra


decorated

 

follow

 

faster

 

amorous

 

stroke

 
silver
 

flutes

 

strokes

 

pavilion

 

tissue


person

 

beggar

 
correct
 

rigidly

 

detail

 
Enobarbus
 
occasions
 

poetical

 

embarked

 
Cydnus