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The Project Gutenberg EBook of Hunger, by Knut Hamsun This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Hunger Author: Knut Hamsun Posting Date: August 23, 2010 [EBook #8387] Release Date: June, 2005 First Posted: July 6, 2003 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HUNGER *** Produced by Eric Eldred, Robert Connal, and the Online Distributed Proofreading Team HUNGER by KNUT HAMSUN Translated from the Norwegian by GEORGE EGERTON _With an introduction by Edwin Bjorkman_ Knut Hamsun Since the death of Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerloef in Sweden and Henrik Pontoppidan in Denmark. Both these, however, seem to have less than he of that width of outlook, validity of interpretation and authority of tone that made the greater masters what they were. His reputation is not confined to his own country or the two Scandinavian sister nations. It spread long ago over the rest of Europe, taking deepest roots in Russia, where several editions of his collected works have already appeared, and where he is spoken of as the equal of Tolstoy and Dostoyevski. The enthusiasm of this approval is a characteristic symptom that throws interesting light on Russia as well as on Hamsun. Hearing of it, one might expect him to prove a man of the masses, full of keen social consciousness. Instead, he must be classed as an individualistic romanticist and a highly subjective aristocrat, whose foremost passion in life is violent, defiant deviation from everything average and ordinary. He fears and flouts the dominance of the many, and his heroes, who are nothing but slightly varied images of himself, are invariably marked by an originality of speech and action that brings them close to, if not across, the borderline of the eccentric. In all the literature known to me, there is no writer who appears more ruthlessly and fearlessly himself, and the self thus presented to us is as paradoxical and rebellious as it is poetic and picturesque
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