FREE BOOKS

Author's List




PREV.   NEXT  
|<   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63  
64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   >>   >|  
g to still higher levels. It must naturally be with the periods of culture that the following remarks will deal, chief among which stands out the great Toltec era. Architecture and sculpture, painting and music were all practised in Atlantis. The music even at the best of times was crude, and the instruments of the most primitive type. All the Atlantean races were fond of colour, and brilliant hues decorated both the insides and the outsides of their houses, but painting as a fine art was never well established, though in the later days some kind of drawing and painting was taught in the schools. Sculpture on the other hand, which was also taught in the schools, was widely practised, and reached great excellence. As we shall see later on under the head of "Religion" it became customary for every man who could afford it to place in one of the temples an image of himself. These were sometimes carved in wood or in hard black stone like basalt, but among the wealthy it became the fashion to have their statues cast in one of the precious metals, aurichalcum, gold or silver. A very fair resemblance of the individual usually resulted, while in some cases a striking likeness was achieved. Architecture, however, was naturally the most widely practised of these arts. Their buildings were massive structures of gigantic proportions. The dwelling houses in the cities were not, as ours are, closely crowded together in streets. Like their country houses some stood in their own garden grounds, others were separated by plots of common land, but all were isolated structures. In the case of houses of any importance four blocks of building surrounded a central courtyard, in the centre of which generally stood one of the fountains whose number in the "City of the Golden Gates" gained for it the second appellation of the "City of Waters." There was no exhibition of goods for sale as in modern streets. All transactions of buying and selling took place privately, except at stated times, when large public fairs were held in the open spaces of the cities. But the characteristic feature of the Toltec house was the tower that rose from one of its corners or from the centre of one of the blocks. A spiral staircase built outside led to the upper stories, and a pointed dome terminated the tower--this upper portion being very commonly used as an observatory. As already stated the houses were decorated with bright colours. Some were ornamented wit
PREV.   NEXT  
|<   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63  
64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   >>   >|  



Top keywords:

houses

 

painting

 
practised
 

stated

 

decorated

 
blocks
 

streets

 

structures

 

cities

 

centre


schools
 

widely

 
taught
 

Architecture

 

Toltec

 

naturally

 

fountains

 
common
 

isolated

 

importance


building

 
surrounded
 

central

 

observatory

 

courtyard

 
generally
 

commonly

 
grounds
 
closely
 

crowded


ornamented
 

gigantic

 

proportions

 

dwelling

 

garden

 

separated

 
country
 

colours

 

bright

 

public


privately

 

massive

 

spaces

 
staircase
 
corners
 

characteristic

 

feature

 

selling

 

gained

 

appellation