iognomy, no constraint in the
voluntary movements--a noble soul knows not constraint; the voice becomes
music, and the limpid stream of its modulations touches the heart. The
beauty of structure can excite pleasure, admiration, astonishment; grace
alone can charm. Beauty has its adorers; grace alone has its lovers: for
we pay our homage to the Creator, and we love man. As a whole, grace
would be met with especially amongst women; beauty, on the contrary, is
met with more frequently in man, and we need not go far without finding
the reason. For grace we require the union of bodily structure, as well
as that of character: the body, by its suppleness, by its promptitude to
receive impressions and to bring them into action; the character, by the
moral harmony of the sentiments. Upon these two points nature has been
more favorable to the woman than to man.

The more delicate structure of the woman receives more rapidly each
impression and allows it to escape as rapidly. It requires a storm to
shake a strong constitution, and when vigorous muscles begin to move we
should not find the ease which is one of the conditions of grace. That
which upon the face of woman is still a beautiful sensation would express
suffering already upon the face of man. Woman has the more tender
nerves; it is a reed which bends under the gentlest breath of passion.
The soul glides in soft and amiable ripples upon her expressive face,
which soon regains the calm and smooth surface of the mirror.

The same also for the character: for that necessary union of the soul
with grace the woman is more happily gifted than man. The character of
woman rises rarely to the supreme ideal of moral purity, and would rarely
go beyond acts of affection; her character would often resist
sensuousness with heroic force. Precisely because the moral nature of
woman is generally on the side of inclination, the effect becomes the
same, in that which touches the sensuous expression of this moral state,
as if the inclination were on the side of duty. Thus grace would be the
expression of feminine virtue, and this expression would often be wanting
in manly virtue.

ON DIGNITY.

As grace is the expression of a noble soul, so is dignity the expression
of elevated feeling.

It has been prescribed to man, it is true, to establish between his two
natures a unison, to form always an harmonious whole, and to act as in
union with his entire humanity. But this beauty of char