UEEN (after a pause).
Now all's explained!
Rise up!--you loved him--I have pardoned you
I have forgotten all. Now, princess, rise.
[Holding out her hand to the PRINCESS.
EBOLI.
No, no; a foul confession still remains.
I will not rise, great queen, till I----
QUEEN.
Then speak!
What have I yet to hear?
EBOLI.
The king! Seduction!
Oh, now you turn away. And in your eyes
I read abhorrence. Yes; of that foul crime
I charged you with, I have myself been guilty.
[She presses her burning face to the ground. Exit QUEEN.
A long pause. The COUNTESS OLIVAREZ, after some minutes,
comes out of the cabinet, into which the QUEEN entered, and
finds the PRINCESS still lying in the above posture. She
approaches in silence. On hearing a noise, the latter looks
up and becomes like a mad person when she misses the QUEEN.
SCENE XX.
PRINCESS EBOLI, COUNTESS OLIVAREZ.
EBOLI.
Heavens! she has left me. I am now undone!
OLIVAREZ (approaching her).
My princess--Eboli!
EBOLI.
I know your business,
Duchess, and you come hither from the queen,
To speak my sentence to me; do it quickly.
OLIVAREZ.
I am commanded by your majesty
To take your cross and key.
EBOLI (takes from her breast a golden cross, and gives it to the UCHESS).
And but once more
May I not kiss my gracious sovereign's hand?
OLIVAREZ.
In holy Mary's convent shall you learn
Your fate, princess.
EBOLI (with a flood of tears).
Alas! then I no more
Shall ever see the queen.
OLIVAREZ (embraces her with her face turned away).
Princess, farewell.
[She goes hastily away. The PRINCESS follows her as far as
the door of the cabinet, which is immediately locked after
the DUCHESS. She remains a few minutes silent and motionless
on her knees before it. She then rises and hastens away,
covering her face.
SCENE XXI.
QUEEN, MARQUIS POSA.
QUEEN.
Ah, marquis, I am glad you're come at last!
MARQUIS (pale, with a disturbed countenance and trembling voice,
in solemn, deep agitation, during the whole scene).
And is your majesty alone? Can none
Within the adjoining chamber overhear us?
QUEEN.
No one! But why? What news would you impart?
[Looking at him closely, and drawing back alarmed.
And what has wrought this change in you? Speak, marquis,
You make me tremble--all your features seem
So m
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