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orming 'a library of lives.' Richard Smith was remembered as having started in the pursuit of Caxtons in the days of Charles II.; the taste was despised when Oldys wrote, but it eventually grew into a mania. 'For a person of an inferior rank we never had a collector more successful. No day passed over his head in which he did not visit Moorfields and Little Britain or St. Paul's Churchyard, and for many years together he suffered nothing to escape him that was rare and remarkable.' Mr. John Bridges of Lincoln's Inn was another 'notorious book-collector.' When his books were sold in 1726 the prices ran so high that the world suspected a conspiracy on the part of the executors. Humphrey Wanley was disappointed in his commissions, and called it a roguish sale; of the vendors he remarked 'their very looks, according to what I am told, dart out harping-irons.' Tom Hearne went to Mr. Bridges' chambers to see the sale, and descanted upon the fine condition of the lots: 'I was told of a gentleman of All Souls that gave a commission of eight shillings for an Homer, but it went for six guineas; people are in love with good binding rather than good reading.' Some of the entries in the catalogue are of great interest. The first edition of Homer, printed at Florence in 1488 on large paper, went for about a quarter of the price of an Aldine Livy. Lord Oxford secured a 'Lucian' in uncial characters, and a splendid Missal illuminated for Henry VII. There was a large-paper 'Politian' in two volumes, very carelessly described as 'finely bound by Grolier and his friends'; but the best of all was the MS. Horace, with an exquisite portrait of the poet, 'from the library of Matthias Corvinus, King of Hungary.' Dr. Mead was a collector of the same kind. All that was beautiful came naturally to this great man, of whom it was said that he lived 'in the full sunshine of human existence.' He was the owner of a very fine library, which he had 'picked up at Rome.' He had a great number of early-printed classics, which fetched high prices at his sale in 1754; his French books, according to Dibdin, and all his works upon the fine arts 'were of the first rarity and value,' and were sumptuously bound. His chief literary distinction rests on his edition of De Thou's 'History' in seven folio volumes. He had received a large legacy from a brother, and spent it in the publication of a work 'from which nothing of exterior pomp and beauty should be wan
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