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u the antiquarian, De Thou the historian, and Pithou the statesman and jurist. Perhaps we should add Jean Ballesdens, a collector of fine books and MSS., whose library at his death in 1677 contained nine of Grolier's books, and Pierre Seguier, to whom Ballesdens acted as secretary; and as Seguier was the personal friend of Grolier, he may have been the original recipient of some of the volumes in question. Pierre Seguier founded a library which became one of the sights of Paris. His grandson, Charles Seguier, the faithful follower of Richelieu, was celebrated for his devotion to books. He used to laugh at his own bibliomania. 'If you want to corrupt me' he would say, 'you can always do it by giving me a book.' His house in the Rue Bouloi served as headquarters for the French Academy before it gained a footing in the Louvre; and on Queen Christina's visit in 1646 one of her first literary excitements was to visit Chancellor Seguier's _salon_. The decorations were considered worthy of being engraved and published by Dorigny. The gallery stood between two large gardens. The ceilings were encrusted with mosaics on a gold ground with allegorical designs by Vouet. The upper story contained about 12,000 books, and as many more were ranged in the adjoining rooms, one large hall being devoted to diplomatic papers, Greek books from Mount Athos, and Oriental MSS. According to a description published in 1684 a large collection of porcelain was arranged on the walls above the book-cases and in cases set cross-wise on the floor: 'the china covered the whole cornice, with the prettiest effect in the world.' We are reminded of the lady's book-room which Addison described as something between a grotto and a library. Her books were arranged in a beautiful order; the quartos were fenced off by a pile of bottles that rose in a delightful pyramid; the octavos were bounded by tea-dishes of all shapes and sizes; 'and at the end of the folios were great jars of china placed one above the other in a very noble piece of architecture.' Among the purchasers at the later sale we may notice the witty Esprit Flechier, who bought several of the lighter Latin poets, being a fashionable versifier himself and a dilettante in matters of binding and typography. In his account of the High Commission in Auvergne, appointed to examine into charges of feudal tyranny, the Abbe tells us how his reputation as a bibliophile was spread by a certain Pere Raphael a
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